Studio International

Published 01/07/2011

Matthew Ritchie. The Temptation of the Diagram (detail), 2017. Courtesy the artist.

A History of Drawing

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A History of Drawing

The inaugural exhibition at the Camberwell Co...

Anne de Boer & ecksenis.net. System Attempt Contact. Photograph: Banner Repeater, 2017.

Anne de Boer & ecksenis.net: System Attempt Contact

References
1. Non Places: An Introduction to Supermodernity by M...

Ania Dabrowski talking to Studio International about her installation A Lebanese Archive at the opening of the group show From Ear to Ear to Eye at Nottingham Contemporary, 15 December 2017. Photograph: Martin Kennedy.

Ania Dabrowska: ‘By the retelling of archival stories we have the power ...

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Ania Dabrowska: ‘By...

Kehinde Wiley and Yinke Shonibare. Installation view. Photograph: Jill Spalding.

Art Basel Miami Beach 2017

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Art Basel Miami Beach 2017

It was all systems go – quality...

Calum Colvin. Studio installation.

Arthur Watson: ‘Central to the organisation of the show was that work wo...

f the Academy’s library to be viewed. The digitalised...

Antony Gormley. LAND SEA AND AIR II, 1982.Lead and fibreglass. Land (crouching), 45 x 103 x 50 cm; Sea (standing), 191 x 50 x 32 cm; Air (kneeling), 118 x 69 x 52 cm. © the artist.

Antony Gormley: ‘Looking back at the paths you have taken is a really im...

Allie Biswas: How did this book come about?
Ruth Asawa (American, 1926‒2013). Untitled (S.540, Hanging, Seven-Lobed, Interlocking Continuous Form within a Form), c1958. Brass and copper wire. The Shidler Family Collection. Artwork © Estate of Ruth Asawa.

Abstract Expressionism: Looking East from the Far West

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Abstract Expressionism: Looking East from ...

Alina Szapocznikow with her work Naga (Naked), 1961. © ADAGP, Paris 2017 Courtesy of the Alina Szapocznikow Archive, Piotr Stanislawski and the National Museum in Krakow. Photograph: Marek Holzman, courtesy of the Museum of Modern Art, Warsaw.

Alina Szapocznikow: Human Landscapes

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Alina Szapocznikow: Human Landscapes

A superlative...

Anni Albers in her weaving studio at Black Mountain College, 1937. Photograph: Helen M. Post. © The Josef and Anni Albers Foundation, VEGAP, Bilbao, 2017.

Anni Albers: Touching Vision

References
1. Exhibition texts.
2. Anni Albers: Selected Writings on Design by An...

Installation view: Art and China after 1989: Theater of the World. Solomon R. Guggenheim Museum, New York, October 6, 2017—January 7, 2018. Photograph: Jill Spalding.

Art and China after 1989: Theater of the World

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Art and China after 1989: Theater of the World

Alex Katz. Crowd on Subway, c1940s. Pen, 4 7/8 x 7 7/8 in. © Alex Katz / DACS, London / VAGA, New York. Courtesy Timothy Taylor 16×34.

Alex Katz: ‘Ultimately, content is not important. The style is what is i...

Anna McNay: The starting point for this exhibition is a...

Sir Lawrence Alma-Tadema. The Roses of Heliogabalus, 1888. Oil on canvas, 132.7 x 214.4 cm. © Perez Simon Collection.

Alma-Tadema: At Home in Antiquity

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Alma-Tadema: At Home in Antiquity

A capacious retrosp...