Andrzej Wróblewski

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Andrzej Wróblewski

The spectre of conflict haunts the powerfully e...

Curators Alexandra Kokoli (right) and Basia Śliwińska talk to Studio International about the exhibition Home Strike at I’étrangère in London, 8 March 2018. Photograph: Martin Kennedy.

Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...

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Alexandra Kokoli and ...

Paula Rego. The Family, 1988. Acrylic paint on canvas backed paper, 213.4 x 213.4 cm. Marlborough International Fine Art. © Paula Rego.

All Too Human: Bacon, Freud and a Century of Painting Life

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All Too Human: Bacon, Freud and a Cent...

Alge Julija Kavaliauskaite. Photograph: Finnish National Gallery, Petri Virtanen.

Alge Julija Kavaliauskaitė: ‘There is something about glass that I am c...

IZABELLA SCOTT: The five lithographs that make up Eveni...

Portrait of Anthony McCall at Hepworth Wakefield. Photograph: Guzelian.

Anthony McCall: ‘The sculptural aspect of a piece occurs only at the mom...

Joe Lloyd: How does the Hepworth Wakefield, a museum th...

Creativity and Collaboration: Revisiting Cybernetic Serendipity symposium at the National Academy of Sciences Sackler Colloquium, Washington D.C., 2018.

Art + Technology Week

March 12:
Sackler Student Fellows Symposium (Registration is closed). Role/Play: Collaborative ...

Andy Holden and Peter Holden. Natural Selection. Installation view, Towner Gallery, 2018. Photograph: Pete Jones.

Andy Holden: ‘A lot of my work is a fidelity to what feels right more th...

Emily Spicer: This exhibition explores collecting and t...

Andrew Lacon. Fragments, 2017. Installation view, Dundee Contemporary Arts. Photograph: Ruth Clark.

Andrew Lacon: Fragments – Kate V Robertson: This Mess Is Kept Afloat

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Andrew Lacon: Fragments �...

Peter Welz. Architectural Device for a Passage | Spacial Division, 2018. Steel and bolts, 260 x 645 x 350 cm. Installation view.

After White: Michaela Zimmer and Peter Welz

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After White: Michaela Zimmer and Peter Welz

Andreas Gursky

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Andreas Gursky

This first major UK retrospective of German photographer ...

Stanley Cursiter. The Sensation of Crossing the Street – West End, Edinburgh, 1913. Oil on canvas, 51 x 61 cm. Private collection, courtesy Susannah Pollen Ltd. © Estate of Stanley Cursiter. All Rights Reserved, DACS 2017.

A New Era: Scottish Modern Art, 1900-1950

References
1. From Modern Scottish Painting by JD Fergusson, published by ...

Marguerite Humeau, Echoes, 2018. Installation view. Photograph: © Tate, Joe Humphrys.

Art Now: Marguerite Humeau: Echoes

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Art Now: Marguerite Humeau: Echoes