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Assemble + Schools of Tomorrow: The Place We Imagine
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Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022
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Raphael
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Alberta Whittle: Deep Dive (Pause) Uncoiling Memory – Venice Biennale 2022
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Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists
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Rachel Jones: Say Cheeeeese
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Gaudí
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Henry Moore: The Sixties
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52 Artists: A Feminist Milestone
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Angela Su: Arise: Hong Kong in Venice – Venice Biennale 2022
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Beatrice Merz – interview: ‘The purpose of the project is to contribute to the traditions of Sicily and southern Italy’
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Biennale of Sydney 2022: Rīvus
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Ettore Spalletti: Works on paper, editions and books
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Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work is autobiographical’
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Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Biennale 2022
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Albert Edelfelt and Akseli Gallen-Kallela
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Alfredo Jaar
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Leeroy New – interview: ‘I am trying to challenge myself to use only reused and recycled materials’
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Otl Aicher: Design. Type. Thinking. – book review
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Whitstable Biennale
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Sheila Hicks: Off Grid
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Celia Paul: Memory and Desire
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Who Are You: Australian Portraiture
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Abbas Akhavan – interview: ‘I like the propelled intensity towards accomplishing something’
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Jacquiline Creswell – interview: ‘When I first sited art in Salisbury Cathedral, I was accused of turning it into a theme park’
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Reframed: The Woman in the Window
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Persones Persons: Biennale Gherdëina 8
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Stalin’s Architect: Power and Survival in Moscow – book review
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Hulda Guzmán – interview: ‘I feel a little bad for the rest of the natural world, that it can't laugh’
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Rachael Louise Bailey – interview: ‘It’s good to work with something that stirs you’
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Lucia Pietroiusti – interview: ‘Art can do a million things, from accelerating innovation to enriching public understanding’
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Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding in terms of its radicality’
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Radio Ballads
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Found Cities, Lost Objects: Women in the City
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Rana Begum: Dappled Light
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Feminine Power: The Divine to the Demonic
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The Queens’ Jubilee! and Let Me Hold You
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Niamh O’Malley: Gather – Venice Biennale 2022
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Robert Indiana: Sculpture 1958-2018
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Karen Kilimnik: Early Drawings 1976-1998
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Pedro Cabrita Reis – interview: ‘Through all these years, I’ve always done what I wanted. I intend to stay like that’
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Goran Trbuljak – interview: ‘It is a kind of painting – a painting that was created by refraining from painting’
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Future Shock
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Amie Siegel – interview: ‘There’s a lot of information underneath the information’
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Eduardo Kac – interview: ‘There is nothing on paper. All the works are experienced dynamically, with the glowing quality of functional displays’
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Venice Biennale 2022 Roundup
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Anthony Scala and George Renshaw – interview: ‘The piece surprised both of us. I designed it to do a certain thing, but it did something completely different’
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Pilvi Takala: Close Watch – Venice Biennale 2022
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Cornelia Parker
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Deutsche Börse Photography Foundation Prize 2022