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Published  30/11/-0001
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Manchester International Festival 2023

From a polka-dot tastic show from Yayoi Kusama to an unlikely combination of footballers and musicia...

Martin Wong: Malicious Mischief

A survey of the Chinese American artist Martin Wong confirms him as one of the most unusual, ingenio...

Maki Na Kamura – interview: ‘People in the presence of my work can pro...

Maki Na Kamura, the Berlin-based Japanese painter, touches on her interest in patterns of structures...

Michael E Smith

A scruffy old armchair, two grubby basketballs, ventilation panels, dirty white walls – it’s uns...

Mike Parr – interview: ‘I was a performance artist with one arm. The p...

One of Australia’s most influential artists, Mike Parr talks about his extreme performance art, ho...

Nalini Malani: My Reality Is Different

This spectacular show plays out in a deep black gallery space, where through nine large video instal...

Marc Camille Chaimowicz: Nuit Américaine

From house party to lockdown: for his retrospective at Wiels, the London-based artist Marc Camille C...

Mike Nelson: Extinction Beckons

A spectacular survey of the British artist Mike Nelson is brutally bleak and awe-inspiringly complex...

Marcelle Hanselaar – interview: ‘To do nothing, to not at least take t...

Marcelle Hanselaar, 20 of whose works are now on show at the Fitzwilliam Museum, talks about the pow...

Molly Erin McCarthy: Invites

In this clever and inventive exhibition, part of the Zabludowicz Collection’s Invites series, McCa...

Mohammed Sami: The Point 0

Acrylic paint is slathered, scraped, smeared and sprayed in Mohammed Sami’s psychologically taut p...

Osman Yousefzada – interview: ‘Opening doors for other people is key t...

Osman Yousefzada dressed Beyoncé, wrapped Selfridges in Birmingham in a giant canvas, had a solo sh...

Magdalena Abakanowicz: Every Tangle of Thread and Rope

This show covers the full span of the Polish artist’s career and the extraordinary sculptures, cal...

Making Modernism: Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münte...

This is a brilliant exposition of these four painters, who were working in Germany at the start of t...

Marina Strocchi – interview: ‘I quit regular employed work to focus on...

An internationally recognised artist in her own right, Marina Strocchi has also spent many years in ...

Marina Abramović: Gates and Portals

Marina Abramović’s new duo of exhibitions in Oxford ought, most aptly, to be titled The Artist is...

Marina Perez Simão: Onda

Marina Perez Simão’s works have great appeal, and her fantastical futurism chimes with an art wor...

Museu.xyz – interview: ‘All shows in the physical world should also be...

A museum that exists entirely in the metaverse is generating new opportunities for Brazilian artists...

Matisse: The Red Studio

Henri Matisse’s landmark painting is brought to life, shown with the artworks it portrays for the ...

Melissa McGill – interview: ‘One of my main influences is water’

The multimedia artist reveals how a two-year stay in Venice shaped her career and why water features...

Mariana Castillo Deball – interview: ‘History belongs to everyone’

Mariana Castillo Deball discusses her interest in history and how artefacts and their re-creations a...

Monika Fabijanska – interview: ‘I wanted Women at War to explain a war...

Curator Monika Fabijanska explains why, for her show at the Fridman Gallery in New York, she chose f...

Nick Merriman – interview: ‘Removing as many barriers as possible to p...

London’s Horniman Museum has just been awarded one of the art world’s biggest prizes. Nick Merri...

Milton Avery: American Colourist

In the first comprehensive exhibition of Avery in Europe, the RA brings together more than 70 works ...

Mahmoud Khaled – interview: ‘It’s a memorial dedicated to the people...

As he exhibits two large-scale works in London, Egyptian artist Mahmoud Khaled talks about creating ...

Otl Aicher: Design. Type. Thinking. – book review

Aicher’s designs for the 1972 Munich Olympics changed the face of graphic design, but there was mu...

Niamh O’Malley: Gather – Venice Biennale 2022

Niamh O’Malley says she wants her Irish Pavilion installation to be a welcoming space, for visitor...

Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work ...

As his first solo show outside India takes place at David Zwirner in London, Mahesh Baliga explains ...

Ming Smith – interview: ‘Photography’s the only thing I know’

As Pippy Houldsworth Gallery exhibits her first UK solo show, the pioneering American photographer M...

Mark Francis – video interview: ‘l like to use a grid to convey order ...

Mark Francis discusses the evolution of his subject matter, his techniques, his use of colour, the i...

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