Studio International

Published 01/07/2011

Cildo Meireles. The clocks in the background are part of Fontes (1992/2008) installation.

Materiality and Memory. An interview with Cildo Meireles

f the room, viewers will hear a soundtrack of water dripping. At the end o...

Mark Rothko. <em>Blue and Grey</em>, 1962. Oil on canvas, 2013 x 1753 mm. Fondation Beyeler, Riehen/Basel © 1998 Kate Rothko Prizel and Christopher Rothko/VG Bild-Kunst, Bonn 2008

Mark Rothko: The Retrospective

Although 2008 does not mark a centennial birth date or major anniversary in the career of one of the...

Mark Rothko. <em>Black on Maroon, Sketch for "Mural No.6", </em>1958. Mixed media on canvas, 266.7 x 381.2 cm. Tate. Presented by the artist through the American Federation of Arts 1968 © 1998 by Kate Rothko Prizel and Christopher Rothko

Mark Rothko: the 'end of philosophy, the beginning of art'

The current exhibition at the Tate Modern enables Studio Internation...

Damien Hirst. <em>The Golden Calf</em> (end), 2008. Calf, 18 carat gold, glass, gold-plated steel, silicone and formaldehyde solution with Carrara marble plinth, 84.8 x 126 x 54 in. / 215.4 x 320 x 137.2 cm. © Damien Hirst

Medium or rare: the art-market grill

It has been a curious coincidence that the extraordinary Damien Hirst sale took place just bef...

Musée du quai Branly, Paris, Frankrig AJN; Ateliers Jean Nouvel. Interior view. Photo: Philippe Ruault © Philippe Ruault

Museums in the 21st century

The Louisiana Museum in Denmark offers a quiet, liminal space for contemplation, isolated from everyda...

Dr. Lakra. <em>Untitled (Cupido Lupita),</em> 2006

Mars Collects! The Martian Museum of Terrestrial Art: Barbican Art Gallery...

'The Mayan civilisation was ruled by a caste of peace-l...

Spencer Gore. <em>Balcony at the Alhambra,</em> c. 1911-1912. Oil on canvas, 630 x 500 x 50 mm. York Museums Trust (York Art Gallery). Purchased with the aid of grants from the Museums and Galleries Commission/Victoria and Albert Museum. Purchase Grant Fund, the National Heritage Memorial Fund and the Friends of York Art Gallery, 1983

Modern Painters: The Camden Town Group

To most people who live in London, the name Camden Town means a busy interchange on the Nort...

Millais, John Everett. <em>Autumn Leaves,</em> 1855–1856. Courtesy of Manchester City Galleries

Millais

ais

Tate Britain, London
26 September 2007-13 January 2008

The autumn grand ...

Matthew Barney. <em>Drawing Restraint 2, </em>1988. Documentation still. Courtesy of the Gladstone Gallery, New York. Photograph: Michael Rees © Matthew Barney

Matthew Barney: Drawing Restraint

hew Barney: Drawing Restraint

20 September-11 November 2007
Serpentine ...

Office for Metropolitan Architecture. Casa da Musica, Porto, Portugal. Photograph © Phillipe Ruault.

Migrant architects from Britain: the RIBA Stirling Prize 2007

As we digest the results of the annual celebration of the Royal Inst...

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Mind and Body

Jacob Epstein's approach to sculpture with his focus on human values encouraged Gormley to produce figurativ...

Donald Fortescue. <em>Self-Contained</em>, 2000-2001. Laminated and coopered mahogany with pyrographed markings, Laminated and coopered mahogany (Pod): 80 x 23 x 23in. (203.2 x 58.4 x 58.4cm) (Hulls): 5 1/2 x 27 x 9 1/2in. (14 x 68.6 x 24.1cm) each. Overall: Variable Dimensions. Museum of Arts & Design, New York. Museum purchase with funds provided by Simon Blattner, Marcia Docter, The Horace W. Goldsmith Foundation and The Wornick Family Foundation, 2005. Photo credit: Jeff Sturges, 2006.

MAD's Chief Curator Makes An Art of Making Connections

David Revere McFadden's career could function as a case study. With more tha...