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Art for SDGs: Kitakyushu Art Festival – Imagining Our Future
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Ayashii: Decadent and Grotesque Images of Beauty in Modern Japanese Art
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Clare Patey – interview: ‘People don’t take humour seriously enough’
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Alex Da Corte: As Long as the Sun Lasts
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Private art museums – ‘I like to collect by myself and make decisions by myself’
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El Anatsui: Art and Life – book review
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Nina Hamnett and Lisa Brice
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Julian Opie – interview: ‘The work is about how we interpret and read the world, how it feels’
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Clare Woods – interview: ‘Fragility and vulnerability have always been with me in my work’
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Rachel Whiteread – interview: ‘I’ve always picked things up. I’m a magpie and I play around with things’
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Walter Price: Pearl Lines
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Valerie Hird: What Did Happen to Alice; My Avatar
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Shara Hughes – interview: ‘I wanted the works to feel like figures you would visit at church, something divine’
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Markus Lüpertz: Recent Paintings
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Tahnee Lonsdale: Under the Shell
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The Making of Rodin
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Rafael Pérez Evans – interview: ‘Food contains a lot of emotion’
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Night Fever: Designing Club Culture
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Epilogue: Michael West’s Monochrome Climax
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Artes Mundi 9
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Hurvin Anderson – interview: ‘I am looking at where things collide, how these things respond to each other’
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Armin Linke – interview: ‘We have to look at different categories of photography and the artistic practice is re-framing them’
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Julie Mehretu
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Grief and Grievance: Art and Mourning in America
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Matt Jukes – interview: ‘You need to dream big, so you can shoot for the stars, and maybe reach the moon’
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Sam McKinniss: Country Western
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The Essential Louis Kahn – book review
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Kusama: Cosmic Nature
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Veronica Ryan: Along a Spectrum
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Richard Hamilton: Respective
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Jean Dubuffet: Brutal Beauty
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Bring Into Being
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Idris Khan – interview: ‘There was a struggle making these works’
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The Art Museum in Modern Times – book review
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Frick Madison provides temporary home for the Frick Collection
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Rubens to Sickert: The Study of Drawing
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Ryoji Ikeda
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Off the Record
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Jadé Fadojutimi – interview: ‘I bathe in the conversations between colour, texture, line, form, composition, rhythm, marks and disturbances’
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Modal Painting
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Charlotte Keates – interview: ‘I want my paintings to feel more like dreamscapes, that sense of deja-vu’
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Challenging Convention
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Lina Ghotmeh – interview: ‘Sometimes I wonder whether I am constructing something new or revealing what was already there’
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Heather Phillipson: Rupture No 1: Blowtorching the Bitten Peach
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Black art matters: what not to miss in Miami
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Mohamed Bourouissa – interview: ‘I see art as a playground’
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Art appreciation in the metaverse
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Eileen Agar: Angel of Anarchy
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Enough Is Definitely Enough – book review
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Mika Tajima: Regulation
