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Billy Apple interview: The Artist Has to Live Like Everybody Else 1961–2...

Billy Apple is not just an artist – he’s a trademarked brand. He talks about exchanging his art ...

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Stephen Farthing on The Miracle Paintings

Farthing explains how his Miracle paintings, now on show at Salisbury Cathedral, came from a convers...

Dan Graham on Rock’n’Roll

Dan Graham talks about his early days as a New York gallerist, his love of music and why he doesn’...

The Old Stile Press

Nicolas and Frances McDowall started the Old Stile Press almost 40 years ago. They talk to Studio In...

Ian Davenport: Colourscapes

The artist discusses works done over the past year, now at Waddington Custot, London, as well as the...

Vanessa Brazeau: ‘We’ve begun to defer to technology to tell us how to...

Performance artist Vanessa Brazeau devises absurd exercise routines and fitness apps in order to con...

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Birgitta Hosea: Erasure at Hanmi Gallery Seoul

‘I was always drawing with my mother, and making things with my mother,’ says the artist...

Banu Cennetoğlu: The List

Istanbul-based artist Banu Cennetoğlu talks about the List, a documentation of refugees known to ha...

Loie Hollowell: Dominant/Recessive

Loie Hollowell talks about her latest exhibition at Pace Gallery, London, her first solo show in the...

Lily Lanfermeijer: Lost in Depiction

The Dutch sculptor Lily Lanfermeijer discusses tableware, colonial histories and the passing of patt...

Aaditi Joshi: ‘I want to be closer to plastic and express its beautiful ...

You may view plastic as rubbish, but for Mumbai artist Aaditi Joshi it is ‘as precious as a gem’...

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Videogames: Design/Play/Disrupt

As the V&A this week opens an exhibition that celebrates groundbreaking innovations in video game de...

Mary Kuper: ‘Where you have greater language diversity in the world, you...

The artist and illustrator talks about her current exhibition, Language Shift, the Endangered Poetry...

Tamsyn Challenger: Free the Pussy!

The artist-curator Tamsyn Challenger talks about Free the Pussy!, the exhibition she has curated to ...

Simon English: Smile Please

The London-based artist Simon English talks about chance, addiction and the wilful act of drawing...

Rajyashri Goody: Eat With Great Delight

Goody, herself of Dalit heritage, talks about discrimination in India against the Dalits and how, in...

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Alison Wilding and Florence Peake in conversation

With Wilding’s show Right Here and Out There and Peake’s RITE on concurrently at the De La Warr ...

Tamara Henderson: ‘You could say the maquettes were the hypnotherapy I d...

The artist discusses the transmigration of the soul, the transformative properties of clay, and usin...

Thierry Oussou: ‘I would like the discourse that I am developing in my w...

The Benin-born artist Thierry Oussou reflects on his artistic practice, the need for repatriation of...

Patricia Guzman, interview

Patricia Guzman’s expertly executed realism makes her paintings appear photographic, as she docume...

E.V. Day, interview

In a riveting, large-scale work called Moss Ball: A Meditation on the Overview Effect (2018), E.V. D...

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Tania Kovats and Kimathi Donkor discuss drawing practice and education

After the pop-up symposium Lines of Thought at Trinity Buoy Wharf, the new partner for what was form...

Tai Xiangzhou, interview

Tai Xiangzhou is committed to a traditional lexicon, his ink paintings magnificent, deeply indebted ...

Mark Fox, interview

Mark Fox, who was brought up as a Catholic, has issues with certain of the religion’s doctrines an...

Frieder Nake, interview

Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...

Bao Pei, interview

Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...

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Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...

The artist talks about The Eclipse, an installation comprising thousands of paper kites, and Never C...

Ardan Özmenoğlu: ‘For me, repetition is the only way that you can reac...

The Turkish artist known for her distinctive works with Post-it notes talks about how she turns them...

Leonor Antunes: ‘I’m interested in ancient ways of doing things’

The sculptor talks about learning traditional crafts, the Smithsons’ Solar Pavilion, creating an e...

Henry Skerritt and Margo Smith talk about the Kluge-Ruhe Aboriginal Art Co...

With more than 1,900 works, the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia i...



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