Phillip King. Studio International, 1965, Volume 170, 254
Phillip King, young British sculptor working mainly in plastic, answers some questions by John Copla...
Assemblage: The savage eye of Ed Kienholz
The spirit of anti-art manifest in Dada and never since completely absent from contemporary art deri...
Philip Guston: The painter as metaphysician
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
Studio International – January 1965
January 1965 Volume 169 Number 861 – The Peggy Guggenheim collection by Giuseppe Marchiori; Unconv...
Clacking, ticking and now and then breaking down, an exhibition at New York University's Art Gallery...
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