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Published  30/11/-0001
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Victor Willing (1928-1988)

The exhibition of Victor Willing's paintings at Marlborough Fine Art supports the publication of the...

Paul Klee at the Scottish National Gallery

The Private Klee on show at the Scottish National Gallery of Modern Art in Edinburgh is the third in...

Chasing beauty

L'Idea del Bello, Le Jardine 2000, La Beaut...

Bill Viola, master of video

Bill Viola is included in the National Gallery's exhibition 'Encounters', which was sponsored by Mor...

Encounters: A dialogue with art from the past

The creative process evolves from personal experience, formal education, a dialogue with art from th...

Royal Academy Summer Exhibition, 2000

Given the characteristic hubris of Tate Modern over the river, it is interesting and also reassuring...

Ken Done - Opera house and bridge

Ken Done – To Sydneysiders and visitors alike the man-made structures of the Harbour Bridge and th...

Ken Done - beaches and boats

The view from his studio of Chinaman's Beach long sustained Ken Done's artistic inquiry throughout t...

Ken Done - The Cabin

Ken Done – The Cabin studio at Mosman, overlooking Chinaman's Beach on Middle Harbour, was acquire...

Ken Done's Sydney

Ken Done's earliest recollections of Sydney Harbour were as a young child during the war. In the ear...

The Arthur M Sackler Museum of Art and Archaeology, Peking University, Chi...

Arthur M Sackler Museum of Art and Archaeology at Peking University – From the time of his first v...

The Arthur M Sackler Gallery at the Smithsonian Institution, Washington DC

The Arthur M Sackler Gallery at the Smithsonian Institution will open to the public on 28th Septembe...

Michael Andrews

In the summer of 1986 there burst upon London, virtually unheralded, a major series of paintings, by...

Caravaggio: A Contemporary View by John Berger, Vol 196 No 998 1983.

Once I was asked to name my favourite painter. I hesitated, searching for the least knowing, most tr...

Victor Willing, letter to Studio International, 1980

Opting out of the rat race, Victor Willing had tried 'to make some silence' around himself, and proc...

ARCHIVE: Mario Merz interview

An interview by Caroline Tisdall (Translated by Caroline Tisdall from an interview held in London on...

Studio International – November/December 1975

November/December 1975 Volume 190 Number 978...

Studio International – September/October 1975

September/October 1975 Volume 190 Number 977...

Studio International – July/August 1975

July/August 1975 Volume 190 Number 976...

Studio International – May/June 1975

May/June 1975 Volume 189 Number 975...

Studio International – March/April1975

March/April1975 Volume 189 Number 974...

Studio International – January/February 1975

January/February 1975 Volume 189 Number 973...

Marcel Duchamp's Anémic-Cinéma

Translating the nine linguistic configurations of Marcel Duchamp’s film ANÉMIC-CINÉMA is impossi...

Studio International – December 1974

December 1974 Volume 188 Number 972...

Studio International – November 1974

November 1974 Volume 188 Number 971...

Studio International – October 1974

October 1974 Volume 188 Number 970...

Studio International – September 1974

September 1974 Volume 188 Number 969...

Studio International – July/August 1974

July/August 1974 Volume 188 Number 968...

Studio International – June 1974

June 1974 Volume 187 Number 967...

Studio International – May 1974

May 1974 Volume 187 Number 966...

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