Women in Revolt! Art and Activism in the UK 1970-1990

From women’s lib to the Greenham Common camps, this powerful show covers to two decades in which w...

Sara Reisman – interview: ‘This was an opportunity to engage with cont...

Sara Reisman, chief curator at the National Academy of Design, talks about the institution’s 200-y...

Zarina Bhimji: Flagging It Up

Zarina Bhimji's quietly reflective films and photographs, with their evocative use of colour and lig...

Elias Sime: Eregata እርጋታ

In the Ethiopian artist Elias Sime’s first major European museum exhibition, labour-intensive work...

Nimrod Vardi and Claudel Goy – interview: ‘We want to explore what it ...

The co-directors of arebyte, a charitable organisation specialising in digital art, talk about being...

LA roundup 2023

To know the art scene in Los Angeles calls on a lifetime of cruising its streets, storefronts, museu...

Radical Landscapes

A green and pleasant land or a place of aristocratic privilege for some and backbreaking labour and ...

Hiroshi Sugimoto

This survey spanning 50 years of the celebrated photographer’s works sees him bringing Madame Tuss...

Lawrence Lek: NOX

In a vast three-floor installation, Lawrence Lek turns what we think we know about AI on its head, a...

Cybernetic Serendipity – a walk around the exhibition

With artificial intelligence and its effect on creativity high on the agenda, now is the perfect tim...

Cat Dunn – interview: ‘I wanted artists who understood the traumas ass...

Cat Dunn, the curator of Crafted Selves: The Unfinished Conversation, at St Andrews Museum in Scotla...

Tania Pérez Córdova: Generalization

Tania Pérez Córdova’s work addresses the passage of time, the nature of materials, and how we as...

Alia Farid: ‘The vessel shapes speak of the different cultural and trade...

The industrialisation of water infrastructure and its damaging environmental impacts underpin Alia F...

Carolina Caycedo: ‘There are struggles that are connected worldwide. Hop...

At the opening of Artes Mundi 10, Caycedo talks about her work exposing environmental abuses, racial...

Rushdi Anwar: ‘My work is a reflection on the hypocrisy of politics and ...

At the opening of Artes Mundi 10, Rushdi Anwar, a Kurdish-born artist who now divides his time betwe...

Reimag(in)ing the Victorians in Contemporary Art

This rigorously researched and curated, yet aesthetically delightful, exhibition forces the visitor ...

Real Families: Stories of Change

Bringing together portraiture from modern painters and setting them against historic depictions, thi...

Olga Grotova – interview: ‘I started to think how soil and plants are ...

In her east London studio, Olga Grotova talks about the ‘choreographic’ process and inspiration ...

José Parlá – interview: ‘I was experiencing flashbacks to my dreams ...

Following a life-and-death experience, José Parlá, the New York-based Cuban artist, explores diffe...

El Anatsui – interview: ‘My inspiration comes from things people have ...

As his huge installation begins at Tate Modern’s Turbine Hall this month, El Anatsui talks about A...

Elisa Giardina Papa: Flock – She Preferred the Lineage of Goats and Ducks

In a series of new ceramic works, video and works on paper, Elisa Giardina Papa explores the myths a...

Tamara Henderson: Green in the Grooves

Through paintings, a sound installation and sculptures, Tamara Henderson takes us on a sensory voyag...

Renoir in Guernsey, 1883

One hundred and forty years ago, Auguste Renoir spent five weeks in Guernsey. He made at least 15 pa...

Rory Pilgrim – interview: ‘I hope the work I create is like a permacul...

This year’s Turner Prize nominee talks about choosing between a career in music and art, the Dutch...