Reimag(in)ing the Victorians in Contemporary Art

This rigorously researched and curated, yet aesthetically delightful, exhibition forces the visitor ...

Ofelia Rodríguez: Talking in Dreams

Though she lived abroad for most of her life, her exuberant use of colour and fantastical visions sh...

Real Families: Stories of Change

Bringing together portraiture from modern painters and setting them against historic depictions, thi...

Olga Grotova – interview: ‘I started to think how soil and plants are ...

In her east London studio, Olga Grotova talks about the ‘choreographic’ process and inspiration ...

El Anatsui – interview: ‘My inspiration comes from things people have ...

As his huge installation begins at Tate Modern’s Turbine Hall this month, El Anatsui talks about A...

Nicole Eisenman: What Happened

A thrilling survey of American artist Nicole Eisenman injects the venerable medium of painting with ...

Elisa Giardina Papa: Flock – She Preferred the Lineage of Goats and Ducks

In a series of new ceramic works, video and works on paper, Elisa Giardina Papa explores the myths a...

Tamara Henderson: Green in the Grooves

Through paintings, a sound installation and sculptures, Tamara Henderson takes us on a sensory voyag...

Rory Pilgrim – interview: ‘I hope the work I create is like a permacul...

This year’s Turner Prize nominee talks about choosing between a career in music and art, the Dutch...

Philip Guston

This strait-laced, work-focused retrospective affirms Philip Guston’s place as one of the 20th cen...

Edvard Munch: Magic of the North and Edvard Munch: Trembling Earth

Two major exhibitions celebrate Munch’s works this autumn. One draws attention to his time in Berl...

Kim Conaty – interview: ‘Ruth Asawa pursued drawing throughout her lif...

Kim Conaty, the Whitney Museum’s curator of prints and drawings, explains what led her to organise...

Matt Rugg: Connecting Form

In the first major retrospective of the British abstract artist and teacher, his playful curiosity f...

Bartosz Beda: interview: ‘In chaos, there is always some kind of order’

Bartosz Beda, whose solo show Echoes of Seasons is at the Art Gallery of Collin College in Plano, T...

A Spirit Inside

Anchoring this jewel of a show is a diminutive work by Dora Carrington and, like the rest of the sel...

Turner Prize 2023

Four very different artists are contending for this year’s prize – Jesse Darling, Ghislaine Leun...

Marina Abramović takes over London

Marina Abramović: ‘Four months ago I was in a coma… if I’d died, I’d be the only dead femal...

Hiroshi Sugimoto: Playing With Fire

Hiroshi Sugimoto, known for his meticulously crafted photographs, here extends his experimentation w...

Sarah Lucas: Happy Gas

Raucous, bawdy, sweary and crude, this major survey comprises works that are not always easy to stom...

Eleanna Anagnos and Alexis Granwell: Shift. Breathe. Expand. Painting in S...

This apposite pairing of two conceptually rigorous artists provokes myriad questions about process, ...

Double Weave: Bourne and Allen’s Modernist Textiles

Partners in life and work, they supplied fabrics to Heal’s and Liberty, as well as for the film Be...

Inside Other Spaces. Environments By Women Artists 1956-1976

Many of the pioneers in environmental art were women, but their works were often ephemeral, destroye...

Lisetta Carmi: Identities

Motivated by a profoundly humanistic spirit, Lisetta Carmi photographed marginalised communities. On...

40th EVA International, 2023

Ireland’s biennial is this year based on the concept of gleaning, when unused crops are divided am...