Prydie: The Life and Art of Mabel Pryde Nicholson
Mother, wife, sister and daughter to artists who have eclipsed her deserved fame, this charming exhi...
Peter Kennard: Archive of Dissent
For 50 years, Peter Kennard’s activist art has railed against corporate and state power, wars and ...
Paris 1924: Sport, Art and the Body
A compelling exhibition turns back the clock to the last Paris Olympics, where art, photography and ...
Ronald Moody’s sculptures fizz with life in this beautifully paced show, in which the Jamaican art...
Roger Mayne’s genuine curiosity about people shines through in his photographs of kids playing on ...
Paris 1874: Inventing Impressionism
This glorious show recreates much of the first impressionist exhibition in 1874 alongside works from...
Phyllida Barlow’s playful approach turned found objects into composites that shone, while nodding ...
The inaugural exhibition in this repurposed grain silo presents works from the Tangen Collection, de...
Paul Maheke: To be Blindly Hopeful
This show sprang from a journal the artist kept during the Covid lockdowns in 2020-21, a time of int...
Ronald Davis – interview: ‘Two artists who use perspective in their wo...
Ronald Davis talks about his art and how he started out in the 1960s, his friendship with Judy Chica...
This show celebrating the centenary of the local artist who became internationally famous includes m...
Ramesh Mario Nithiyendran – interview: ‘Part of creating the work is t...
A melange of multilimbed, fertility, guardian, protector and warrior figures animate Glasgow’s Tra...
Pasquarosa: From Muse to Painter
Remembered more as an artist’s model than a painter, Pasquarosa, this largely forgotten female art...
She photographed celebrities such as Lauren Bacall and Doris Day and worked for Life magazine and Lo...
Pesellino: A Renaissance Master Revealed
Florentine painter Francesco Pesellino’s life was sadly short, but his technical virtuosity shines...
A green and pleasant land or a place of aristocratic privilege for some and backbreaking labour and ...
Rushdi Anwar: ‘My work is a reflection on the hypocrisy of politics and ...
At the opening of Artes Mundi 10, Rushdi Anwar, a Kurdish-born artist who now divides his time betwe...
Reimag(in)ing the Victorians in Contemporary Art
This rigorously researched and curated, yet aesthetically delightful, exhibition forces the visitor ...
Real Families: Stories of Change
Bringing together portraiture from modern painters and setting them against historic depictions, thi...
One hundred and forty years ago, Auguste Renoir spent five weeks in Guernsey. He made at least 15 pa...
Rory Pilgrim – interview: ‘I hope the work I create is like a permacul...
This year’s Turner Prize nominee talks about choosing between a career in music and art, the Dutch...
This strait-laced, work-focused retrospective affirms Philip Guston’s place as one of the 20th cen...
Pam Evelyn – interview: ‘Now I’m realising that these existential co...
In her studio in Dalston, east London, Pam Evelyn talks about the push and pull of making one of her...
A corporate and trademarked invention, Barbie Pink is still marketed as the colour of perpetual happ...
Rowan Mace: Time’s Light, and Amy Winstanley: Slim Glimpses
The calm and welcoming spaces at this Scottish gallery provide the perfect setting for Amy Winstanle...
Paula Rego’s giant mural, a bold riposte to patriarchy, with its strong female figures drawn from ...
Risham Syed – interview: ‘It’s an inward-looking invitation to conte...
Syed talks about Each Tiny Drop, her intervention in a city park, as part of Manchester Internationa...
Ryan Gander – interview: ‘The stuff outside in the world is way better...
Ryan Gander explains why he is giving away free coins at the Manchester International Festival and h...
Paul Smith – interview: ‘I'd often look up and ask the boss, “Mr Pic...
To mark the 50th anniversary of Picasso’s death, the Musée National Picasso, Paris, commissioned ...
Perfect Behaviours. Life Redesigned by the Algorithm
Are we free to make our own decisions in an age in which technology is used to manipulate us? Curato...