Jon Rafman: Minor Daemon and Ebrah k’dabri

Buckle up and join Jon Rafman, the Canadian post-internet artist, on a trip to his digital inferno. ...

Joseph Beuys: 40 Years of Drawing

Two concurrent exhibitions of Beuys’ work consider his drawings, the first spanning 40 years of hi...

Kyriaki Goni – interview: ‘For me, technology is an existential discus...

Greek artist Kyriaki Goni discusses the interplay of technology with humans and nature that underpin...

Jenkin van Zyl – interview: ‘The world has ended many times over’

Artist and film-maker Jenkin van Zyl guides us through his fantastical world of dancing rats, pneuma...

Jim Eyre – interview: ‘I don’t think we are seen as starchitects. It...

Jim Eyre discusses working with – and creating - landmark structures, Battersea Power Station’s ...

Lucie Rie: The Adventure of Pottery

This beautifully curated show includes everything from Rie’s practical domestic objects, such as c...

John Riddy – interview: ‘I don’t want to make an ordinary print. I w...

John Riddy talks about his work over the years and his new show at Frith Street Gallery in London, w...

Kate Groobey – interview: ‘The drip, for me, is pure joy and a kind of...

Kate Groobey talks about bringing her paintings to life through performance, diverse cultural and li...

Lucian Freud: New Perspectives

This thought-provoking exhibition attempts to shift our attention away from the myths that surround ...

Kamala Ibrahim Ishag: States of Oneness

Women and plant forms are intertwined among primal patterns and symbolism in Kamala Ibrahim Ishag's ...

Jorge Tacla: Stagings/Escenarios

The 1973 coup in Jorge Tacla’s mother country and the brutal dictatorship of General Pinochet that...

Jadé Fadojutimi: Can We See the Colour Green Because We Have a Name for I...

In this small but vibrant new body of work, Jadé Fadojutimi ’s fluid and colourful paintings seek...

Katie Paterson – interview: ‘It’s a living project, changing and sur...

Future Library is artist Katie Paterson’s prayer that trees, literature and the human imagination ...

Jacquiline Creswell – interview: ‘When I first sited art in Salisbury ...

When Jacquiline Creswell joined Salisbury Cathedral as arts curator, she was verbally and physically...

Lucia Pietroiusti – interview: ‘Art can do a million things, from acce...

The curator, ecological activist and consultant Lucia Pietroiusti discusses the power of artists to ...

Karen Kilimnik: Early Drawings 1976-1998

Sprüth Magers takes us on a whistle-stop tour through the American artist Karen Kilimnik’s early ...

Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists

Visitors to Charleston will be treated to three intriguing shows from Langlands & Bell, including th...

Leeroy New – interview: ‘I am trying to challenge myself to use only r...

Filipino multimedia artist Leeroy New has just “docked” three “ships” made of bamboo and was...

Joan Mitchell

This is a first-in-a-generation opportunity to see Joan Mitchell’s works, and its chronological fo...

Libby Heaney – interview: ‘The point of the work is to destabilise you...

The physicist and artist Libby Heaney talks about using her scientific knowledge in her art, how tec...

Jasmina Cibic – interview: ‘I’m drawn towards the political psycholo...

Jasmina Cibic talks about the ideas, people and moments in history that inspire her artistic practic...

Julian Perry – interview: ‘It’s about wanting to create spaces that ...

Despite describing himself as a ‘devout atheist’, an altarpiece takes centre stage among Perry...

Jasia Reichardt – video interview: ‘It’s not really labour … It’...

Jasia Reichardt discusses the newly published archive catalogue she has collated and curated over 20...

John Yau – interview: ‘America is still about two colours: black and w...

John Yau talks about promoting inclusivity, changing how history is viewed, and the importance of th...