Studio International

Published 01/07/2011

José Parlá in residence at Landmarks, the public art programme of The University of Texas at Austin, 2017. Photograph: Rey Parlá.

José Parlá: ‘It challenges me to work against the grain of the status ...

Allie Biswas: You have spoken about “writing” and ...

Jedd Novatt with Chaos SAS, 2013. Stainless steel, 440 x 420 x 265 cm. Permanent installation at Pérez Art Museum, Miami.

Jedd Novatt: ‘I feel the same tension about the next work as I did 40 ye...

: ‘I feel the same tension about the next wo...

Jason Brooks talking to Studio International at his Gloucestershire studio, January 2018. Photograph: Martin Kennedy.

Jason Brooks: ‘In a world that wants to eradicate detail by airbrushing ...

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Jason Brooks: ‘In a...

John Piper. Construction, 1934, reconstructed 1967. Oil paint, zinc, wood, glass and dowelling on canvas on plywood, 100.6 x 115.9 cm. Tate. Purchased 1968. © The Piper Estate.

John Piper

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John Piper

A lopsided retrospective reveals an artist who thrived best when ...

John Stezaker. The Voyeur I (Photoroman), 1976. Collage, 5.94 x 3.7 in (15.1 x 9.4 cm). Courtesy of the artist and Petzel, New York.

John Stezaker: ‘I was trying to create a sort of photographic cubism’

Allie Biswas: Photo romans were an important source mater...

Jeanne Mammen. Self-Portrait, c1926. Watercolour on paper, 32 x 22.8 cm. Jeanne-Mammen-Foundation, © VG Bild-Kunst, Bonn 2017, Repro: © Mathias Schormann.

Jeanne Mammen: The Observer. Retrospective (1910-75)

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Jeanne Mammen: The Observer. Retrospective (...

Maison Démontable, BCC, 1941. Inside La Grande Halle.

Jean Prouvé: Architecte des Jours Meilleurs (Architect of Better Days)

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Jean Prouvé: Architecte ...

Juno Calypso. A Solitary Love Affair, 2016. © the artist.

Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...

Emily Spicer: Tell me more about Joyce. How did she com...

Julie Montgarrett. Jacob’s Book, 2013. © the artist.

Julie Montgarrett: ‘I have always gravitated to the seductive character ...

Janet McKenzie: Your drawing is mostly in sketchbooks a...

Jasper Johns. Target, 1961. Encaustic and collage on canvas, 167.6 x 167.6 cm. The Art Institute of Chicago c Jasper Johns / VAGA, New York / DACS, London. Photograph: c 2017. The Art Institute of Chicago / Art Resource, NY / Scala, Florence.

Jasper Johns: ‘Something Resembling Truth’

References

1. Jasper Johns: Pictures within Pictures, 1980-2015 by ...

Jenny Holzer. On War, 2017. Text: A Scream From Underground, from Building The Barricade by Anna Swirszczynska, translated by Piotr Florczyk. Translation copyright © 2016. Published by Tavern Books. Used by permission of Ludmila Adamska-Orłowska and the translator. © 2017 Jenny Holzer, member Artists Rights Society (ARS), NY. Photograph: Samuel Keyte.

Jenny Holzer: Softer

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Jenny Holzer: Softer

In her current exhibition at Blenheim Palace,...

Jake & Dinos Chapman. The Disasters of War on Terror, 2017. Courtesy the artists and Blain|Southern. Photograph: Prudence Cuming Associates.

Jake and Dinos Chapman: The Disasters of Everyday Life

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Jake and Dinos Chapman: The Disasters of E...