Studio International

Published 01/07/2011

Gail Pickering. She was a Visitor, 2014. Installation view. Architectural installation incorporating cyclorama wall, red lights. Courtesy of the artist and BALTIC. © Gail Pickering. Photograph: John McKenzie.

Gail Pickering: ‘I was interested in the histories of community video pr...

Darran Anderson: I understand Mirror Speech was partial...

Giovanni Battista Moroni. A Gentleman in Adoration before the Baptism of Christ, c1555-60. Oil on canvas, 112.8 x 104 cm. Gerolamo and Roberta Etro. Photograph: Gerolamo and Roberta Etro.

Giovanni Battista Moroni

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Giovanni Battista Moroni

In this major exhibition of the 16th-...

Gego. Dibujo sin papel 85/18 (Drawing without paper 85/18), 1985. Metal and wire. Collection of Maria Cristina and Pablo Henning. Photograph: Peter Butler.

Gego and Gerd Leufert: a dialogue

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Gego and Gerd Leufert: a dialogue

This exhibition of ...

Gretchen Bender. Total Recall, 1987. 8-channel video installation; 24 monitors, 3 screen projections, colour, sound, duration: 18min. © Estate of Gretchen Bender. Photo: Jason Mandella, Courtesy of The Kitchen, New York.

Gretchen Bender

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Gretchen Bender

In a mesmerising and disquieting exhibition, Tate Liver...

Aileen Osborn Webb. Courtesy American Craft Council. Photograph: Paul Webb

Glenn Adamson interview: ‘Webb saw clearly that human connection was the...

Cindi di Marzo: Having recently joined MAD, in Septembe...

Glenn Ligon, Camden Arts Centre, London, 9 October 2014. Photograph: Martin Kennedy. © Studio international.

Glenn Ligon: interview

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Glenn Ligon: interview

Glenn Ligon, who was born in 1960, is fam...

GW Bot, London 2014. Photograph: Nick Howard.

GW Bot interview: ‘Living and working in Australia has meant coming to t...

Janet McKenzie: Can you explain what it was that prompt...

Gego. Siete icosidodecaedros (Seven icosidodecahedrons). c1977. Steel wire. © Fundación Gego. Photograph: Jerry Hardman-Jones.

Gego: Line as Object

Anna McNay

Henry Moore Institute, Leeds
24 July – 19 October 2014

by ANNA ...

Gustav Metzger. Light Drawing, 2014. Photographic prints, unique. © Kettle’s Yard, University of Cambridge. Photograph: Paul Allitt.

Gustav Metzger: interview

Anna McNay: In a manifesto from 1959, you described Auto-Destructive Art as “primarily a form of public...

Gustave Doré. Joyeuseté, dit aussi À saute-mouton, vers 1881. Bronze, 36,5 x 27 x 17 cm. Paris, musée d’Orsay © Musée d’Orsay, Dist.RMN-Grand Palais / Patrice Schmidt.

Gustave Doré – Master of Imagination

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Gustave Doré – Master of Imagination

Musée d...

Georg Baselitz. Mann am Baum abwärts (Man on a Tree Downwards), 1968/69. Charcoal on paper. Presented to the British Museum by Count Christian Duerckheim. Reproduced by permission of the artist. © Georg Baselitz.

Germany divided: Baselitz and his generation

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Germany divided: Baselitz and his generation.
 Fro...

George Gittoes. Blood & Tears, 1997. Oil on canvas, 120 x 67 1/2 in.

George Gittoes

Christiana Spens: What is your personal drive for accessing and portraying the subjects of war and political violenc...