logo studio international

Mark Wallinger: ‘I’m reversing what happens at Madame Tussauds’

The Human Figure in Space returns this Turner Prize-winning British artist to his longstanding inter...

<

David Chipperfield: ‘Architecture shouldn’t exist on its own. There is...

Fresh from his transformation of the Royal Academy of Arts, David Chipperfield talks about architect...

Alicia Kopf: ‘My idea is to appropriate polar history to a present-day s...

Catalan artist Alicia Kopf has won acclaim for her novel Brother in Ice, which sits at the pinnacle ...

Teresa Lawton: Tipping the Balance

Lawton’s paintings are inspired by her love of Dorset, where she explore the shapes and colours of...

Shelley Himmelstein: Soccerscapes – Fifa World Cup Series; Michael Sorga...

Gallery director Randall Harris explains how this double show came about, while Himmelstein talks ab...

Ruimteveldwerk: ‘It is more like an understatement that creates an exper...

A social experiment investigating themes of being offline, privacy, and silence in the city brings a...

<

Joana Vasconcelos: I’m Your Mirror

Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...

John Powers: ‘Abstraction isn’t a technology or technique, it’s more...

Responding to the history of the city of Bruges, John Powers’ 15-metre-tall steel tower was constr...

Katharina Sieverding: ‘I also make fake news’

Part of the collateral programme of this year’s Manifesta Biennial in Palermo is a career-spanning...

Samaneh Moafi of Forensic Architecture: ‘We are taking something that is...

Forensic Architecture has never designed a building. Instead, it acts as an architectural detective ...

Alex Mirutziu: ‘I’m interested in error, misunderstanding, correction...

The Romanian artist talks about his latest exhibition, examining the life and work of Iris Murdoch, ...

<

Baldwin and Guggisberg: ‘If you’re not in a white cube it forces you t...

Having just installed 10, mostly blown-glass pieces around Canterbury Cathedral for their exhibition...

True Colours: Helen Beard, Sadie Laska and Boo Saville

True Colours, curated by Damien Hirst for his Newport Street Gallery in London, shows works by Beard...

Boo Saville: interview

Saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up clos...

Sadie Laska: interview

New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills int...

Helen Beard: interview

Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...

<

Catherine Parsonage: ‘I wanted to break things apart, let everything be ...

The artist talks about how living in Rome has changed her work, why she is so interested in bodily f...

Eve Fowler: ‘Stein’s work really affected me’

The artist talks about her latest exhibition, What a slight, what a sound, what a universal shudder,...

Manuel Mathieu: ‘Life experience sometimes forces you to see things that...

The Haitian artist talks about coming to terms with his country’s turbulent history and some perso...

James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...

James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...

Eleanor Pinfield: ‘London – and London Underground - deserves to have ...

Pinfield is Head of Art on the Underground, which has commissioned work by Cindy Sherman, David Shri...

<

Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’

Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...

David Cross: ‘Art is what fills the gap between how the world is and how...

A reader at the University of the Arts London, Cross talks about his struggle to persuade the univer...

Phyllida Barlow: ‘It’s the first time I’ve experienced making someth...

As her first permanent artwork, Quarry is unveiled at Jupiter Artland, outside Edinburgh, Barlow tal...

Celia Pym: ‘I didn’t ever see the point of invisible mending’

Describing herself as ‘an artist who works in textiles’ Pym talks about her recent surgery for m...

Jane Irish: ‘There is a critical strain about the anti-war movement that...

For the first time in its 200-year history, a mansion in Philadelphia is transformed into a major pu...

<

Fergus McCaffrey Gallery opens in Japan

Since founding his New York gallery in 2006, Fergus McCaffrey has been instrumental in introducing p...

Harriet Middleton-Baker: ‘I enjoy the potential for opera to be seriousl...

The artist talks about unpicking the story of William Hogarth’s A Harlot’s Progress and using he...

Ettore Spalletti: ‘A yellow can lead me so far away into the light that ...

On the opening of his exhibition at the Galerie Marian Goodman, the Italian artist recounts his ritu...

Chila Kumari Burman: ‘I scribble and make a mess in my studio. My whole ...

Burman talks about the inspirations for her intricate, multilayered works, including her latest comm...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA