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Published  30/11/-0001
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Alberta Whittle: Deep Dive (Pause) Uncoiling Memory – Venice Biennale 20...

Barbadian-Scottish artist Alberta Whittle has used sculpture, film and tapestry for her Scotland in ...

Jacquiline Creswell – interview: ‘When I first sited art in Salisbury ...

When Jacquiline Creswell joined Salisbury Cathedral as arts curator, she was verbally and physically...

Pilvi Takala: Close Watch – Venice Biennale 2022

Close Watch, Pilvi Takala’s multi-channel video at the Finnish Pavilion, is based on her time work...

Angela Su: Arise: Hong Kong in Venice – Venice Biennale 2022

Angela Su talks about the new age group that tried to levitate the Pentagon, a story that informed h...

Rachael Louise Bailey – interview: ‘It’s good to work with something...

From the synthetic detritus of the oyster industry washed up on the Kent coast and the organic softn...

Abbas Akhavan – interview: ‘I like the propelled intensity towards acc...

Abbas Akhavan discusses his site-specific responses, often inspired by residencies, and the processe...

Niamh O’Malley: Gather – Venice Biennale 2022

Niamh O’Malley says she wants her Irish Pavilion installation to be a welcoming space, for visitor...

Amie Siegel – interview: ‘There’s a lot of information underneath th...

American artist Amie Siegel discusses her new film work, Bloodlines, a masterful exploration of clas...

Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding i...

As the first survey of Hélio Oiticica in London in 15 years goes on show at the Lisson Gallery, its...

Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Bie...

Giant ears, a massive inflatable heart and a disembodied head – Jonathas de Andrade explains why h...

Goran Trbuljak – interview: ‘It is a kind of painting – a painting t...

The conceptual artist and film-maker Goran Trbuljak explains why seeing Neil Armstrong walk on the m...

Beatrice Merz – interview: ‘The purpose of the project is to contribut...

Led by Fondazione Merz, a new arts centre in Palermo hopes to engage local people with contemporary ...

Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022

In the darkness of the Icelandic Pavilion, Sigurður Guðjónsson talks about his monumental video w...

Pedro Cabrita Reis – interview: ‘Through all these years, I’ve alway...

In the run up to his exhibition in Venice during the 59th Biennale, the internationally renowned Por...

Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work ...

As his first solo show outside India takes place at David Zwirner in London, Mahesh Baliga explains ...

Hulda Guzmán – interview: ‘I feel a little bad for the rest of the na...

The Dominican artist Hulda Guzmán talks about the things that inspire her, her father’s influence...

Ali Cherri – interview: ‘You cannot un-write violence. I am interested...

Ali Cherri has tackled a subject that museums would prefer not to bring to public attention – what...

Ming Smith – interview: ‘Photography’s the only thing I know’

As Pippy Houldsworth Gallery exhibits her first UK solo show, the pioneering American photographer M...

Ingrid Pollard – interview: ‘I like to concentrate on that vast histor...

Ingrid Pollard first came to prominence as a key figure of the black British art movement of the 198...

Libby Heaney – interview: ‘The point of the work is to destabilise you...

The physicist and artist Libby Heaney talks about using her scientific knowledge in her art, how tec...

Mark Francis – video interview: ‘l like to use a grid to convey order ...

Mark Francis discusses the evolution of his subject matter, his techniques, his use of colour, the i...

Jasmina Cibic – interview: ‘I’m drawn towards the political psycholo...

Jasmina Cibic talks about the ideas, people and moments in history that inspire her artistic practic...

Jasia Reichardt – video interview: ‘It’s not really labour … It’...

Jasia Reichardt discusses the newly published archive catalogue she has collated and curated over 20...

Vlatka Horvat – interview: ‘I’m interested in trying to get beyond t...

During the lockdown last year, Vlatka Horvat decided to go on daily walks around her east London nei...

Joan Semmel – interview: ‘I was simply not excluding those who did not...

With a retrospective at the Pennsylvania Academy of the Fine Arts covering 60 years of work, from he...

Chechu Álava – interview: ‘We painters are like relay runners who pas...

Chechu Álava explains how her passion for art history and her interest in gender issues blend toget...

Cauleen Smith – interview: ‘I don’t know if optimism is needed so mu...

The artist on what it was like to have her lockdown Instagram posts on Covid shown on the vast scree...

Donna Huddleston – video interview: ‘I was thinking of all the works b...

Donna Huddleston talks about her beguiling new works on paper, for which she draws on her background...

Katya Kvasova – interview: ‘People say that whatever someone paints or...

Katya Kvasova talks about her interest in hands, her artistic training, and her method of layering g...

Cristina Iglesias – video interview: ‘I always felt I wanted to create...

Cristina Iglesias discusses her fascination with geology and botany, how public sculpture assists in...

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