Studio International

Published 01/07/2011

Sergei Eisenstein. Untitled, c1931. Coloured pencil on paper, 10.67 x 8.27 in (27.1 x 21 cm). Private collection. Courtesy Alexander Gray Associates, New York and Matthew Stephenson, London.

Sergei Eisenstein: Drawings, 1931-1948

References
1. SM Eisenstein’s Erotic Drawings in the Context of Europea...

Susannah Stark. North East Wis-Dom, 2016. Installation view. Digital print, primed canvas, thread, foamboard, cotton, polystyrene, HD video, HD monitor, vinyl flooring.

Susannah Stark: ‘I like to create something that bears the trace of mult...

Izabella Scott: Your installation North East Wis-Dom (2...

Seungjo Jeong talks to Studio International at the opening of Bloomberg New Contemporaries 2016, Institute of Contemporary Arts, London, November 2016. Photograph: Martin Kennedy.

Seungjo Jeong: interview

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Seungjo Jeong: interview

South Korean artist Seungjo Jeong cre...

Sophie Jung. Leader Abend (from Facts and Fingers), 2016. Performance / mixed media installation. Photograph: Kunst Halle Sankt Gallen, Stefan Jaeggi.

Sophie Jung: ‘I don’t trust language’

Izabella Scott: Do you think of your work as a form of theatre?

Jeni Couzyn (artistic director), Sandra Sweers (lead artist), The Creation of the Sun, a collaborative piece from Bethesda Arts Centre, textile, 2015. © The Bethesda Foundation Limited (2015).

South Africa: The Art of a Nation

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South Africa: The Art of a Nation

This exhibition is ...

Simon Starling, At Twilight / Mask of W.B. Yeats, 2016. Mask by Yasuo Miichi. Courtesy of Simon Starling & The Modern Institute.

Simon Starling: ‘A little knowledge is a powerful thing, and too much kn...

‘A little knowledge is a powerful thing,...

Stuart Kestenbaum and Susan Webster. Photograph: Leslie Bowman, 2014. Bowman Studio, Trescott Maine, USA.

Susan Webster and Stuart Kestenbaum: interview

MK Palomar: Can I start by thanking you both for doing this interview with Studio In...

Simon Lewty. The Passage Towards Stone, 1984. Acrylic and ink on paper, 156 x 156 cm.

Simon Lewty: ‘I draw only from the imagination’

Janet McKenzie: Congratulations on your major exhibition at Leamington. It must...

Sofia Borges. Eighty Million Years, Crocodile and Paper, 2012. 150 x 230 cm. The Swamp (MACK, 2016).

Sofia Borges: ‘Photography can be used as a tool to mould our sense of r...

Izabella Scott: Would you describe the museum as your m...

Shezad Dawood. Kalimpong (still), 2016. VR environment, duration variable © Shezad Dawood, courtesy Timothy Taylor.

Shezad Dawood: Kalimpong

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Shezad Dawood: Kalimpong

From yeti expeditions to spy shenanig...

René Magritte. Le Modèle rouge III (The Red Model III), 1937. Oil on canvas, 206 x 158 x 5cm. 
Collection: Museum Boijmans Van Beuningen, Rotterdam. © ADAGP, Paris and DACS, London 2015 © DACS & The Estate of René Magritte.

Surreal Encounters Collecting the Marvellous

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Surreal Encounters: Collecting the Marvellous

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Sean Scully. A Green Place, 1987. Oil on linen, 84 x 86 1/2 x 5 1/4 in (213.4 x 219.7 x 13.3 cm). Image courtesy Mnuchin Gallery, New York. © Sean Scully. Photograph: Tom Powel Imaging.

Sean Scully: ‘The stripe can do anything in any direction, and since it ...

Allie Biswas: The exhibition at Mnuchin Gallery is focu...