Published 01/07/2011
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Janet Biggs: Like Walking on Mars
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Janet Biggs: Like Walking on Mars
In her three new fi...
Julie Greve: ‘I don’t like shooting models. They are taught so quickly...
Allie Biswas: You received your BA earlier this year. H...
Jutta Koether: Tour de Madame
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Jutta Koether: Tour de Madame
In Munich, the most signifi...
Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...
Cassie Davies: I would love to hear about your creative...
Jene Highstein: Space and Place
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Jene Highstein: Space and Place
Deborah Najar’s caref...
Joana Vasconcelos: I’m Your Mirror
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Joana Vasconcelos: I’m Your Mirror
Joana Vasconc...
John Powers: ‘Abstraction isn’t a technology or technique, it’s more...
Anna McNay: How did you first come to be invited to par...
James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...
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James Edgar and Sam W...
Junya Ishigami: Freeing Architecture
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Junya Ishigami: Freeing Architecture
In his attemp...
Joana Vasconcelos: Gateway
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Joana Vasconcelos: Gateway
Vasconcelos’s solo show offers ...
Jane Irish: ‘There is a critical strain about the anti-war movement that...
Allie Biswas: How did the idea of antipodes become the ...
Joan Jonas: ‘I often went to magic shows as a child, and the idea of mag...
MK Palomar: This year’s
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