Studio International

Published 01/07/2011

Janet Biggs, Space Between Fragility Curves, 2018 (detail). Two-channel, HD video installation with sound. Courtesy of the artist, Cristin Tierney Gallery, New York, NY, Analix Forever, Geneva, Switzerland, and CONNERSMITH, Washington, DC.

Janet Biggs: Like Walking on Mars

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Janet Biggs: Like Walking on Mars

In her three new fi...

JW Anderson Autumn Winter 2018 campaign. Photograph courtesy of Julie Greve.

Julie Greve: ‘I don’t like shooting models. They are taught so quickly...

Allie Biswas: You received your BA earlier this year. H...

Jutta Koether. Untitled, 1987. Oil on canvas board, 7 x 9 1/2 in. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne/New York.

Jutta Koether: Tour de Madame

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Jutta Koether: Tour de Madame

In Munich, the most signifi...

Jacob Hashimoto. Never Comes Tomorrow, 2015-18, Liggett Hall, Governors Island. Photograph: Timothy Schenck.

Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...

Cassie Davies: I would love to hear about your creative...

Jene Highstein: Space and Place, installation view, March 2018. Copyright 2018, JPNF. Photograph: Musthafa Aboobacker.

Jene Highstein: Space and Place

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Jene Highstein: Space and Place

Deborah Najar’s caref...

Joana Vasconcelos speaking to Studio International at the opening of I’m Your Mirror, Guggenheim Bilbao, 28 June 2018. Photograph: Martin Kennedy.

Joana Vasconcelos: I’m Your Mirror

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Joana Vasconcelos: I’m Your Mirror

Joana Vasconc...

John Powers with his grandmother in front of Terminal, 2004. Image courtesy John Powers.

John Powers: ‘Abstraction isn’t a technology or technique, it’s more...

Anna McNay: How did you first come to be invited to par...

James Edgar and Sam Walker talking to Studio International about Assembly Point, London, 25 April 2018. Photograph: Martin Kennedy.

James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...

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James Edgar and Sam W...

Junya Ishigami at the exhibition Junya Ishigami, Fondation Cartier pour l’art contemporain. Photograph © Renaud Monfourny.

Junya Ishigami: Freeing Architecture

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Junya Ishigami: Freeing Architecture

In his attemp...

Joan Vasoncelos, 2018. Photograph: Anna Kunst, courtesy Jupiter Artland.

Joana Vasconcelos: Gateway

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Joana Vasconcelos: Gateway

Vasconcelos’s solo show offers ...

Installation view, Jane Irish: Antipodes, courtesy of the artist, Lemon Hill and Philadelphia Contemporary.

Jane Irish: ‘There is a critical strain about the anti-war movement that...

Allie Biswas: How did the idea of antipodes become the ...

Joan Jonas. They Come to Us without a Word II, 2015. Performance at Teatro Piccolo Arsenale, Venice, Italy, 2015. Photo by Moira Ricci. © 2018 Joan Jonas : Artists Rights Society (ARS), New York : DACS, London.

Joan Jonas: ‘I often went to magic shows as a child, and the idea of mag...

MK Palomar: This year’s