Studio International

Published 01/07/2011

Jenny Holzer: Thing Indescribable, Guggenheim Bilbao. Photo: Veronica Simpson.

Jenny Holzer: Thing Indescribable

846::/cck::
::introtext::

Jenny Holzer: Thing Indescribable

This overarching re...

Jos Tilson. Photo: Nick Howard.

Jos Tilson – interview: ‘Motherhood is a form of creativity, and one w...

Janet McKenzie: Coming into your house and seeing hundr...

John Ruskin. Study of Moss, Fern and Wood-Sorrel, upon a Rocky River Bank, 1875-79. Pen, ink, watercolour and bodycolour on paper. © Collection of the Guild of St George / Museums Sheffield.

John Ruskin: The Power of Seeing

838::/cck::
::introtext::

John Ruskin: The Power of Seeing

Marking the bicentena...

John Bellany, Rose of Sharon, 1973. Oil on canvas, 194 x 187 cm (76.4 x 73.6 in). Photo: Prudence Cuming Associates, The Estate of John Bellany. All rights reserved. Bridgeman Images, 2019.

John Bellany and Alan Davie: Cradle of Magic

References

1. From an extract from Artists’ Lives, quoted in the Cr...

Julie Mehretu. Monotype #19, 2018. Monotype with printer ink and occasional acrylic on Hahnemuhle Copperplate 300gsm, 55.9 x 73.7 cm. © Julie Mehretu. Photo © Rebecca Fanuele.

Julie Mehretu: Drawings and Monotypes

832::/cck::
::introtext::

Julie Mehretu: Drawings and Monotypes

In these ne...

Joy Gerrard talking to Studio International at the opening of Protest and Remembrance, Alan Cristea Gallery, London. Photo: Martin Kennedy.

Joy Gerrard – interview: ‘I’m interested in how we witness and inter...

828::/cck::
::introtext::

Joy Gerrard – inter...

Max Burchartz. Tanzfestspiele zum 2. Deutschen tänzerkongress Essen 1928 (Dance Festival at the Second German Dance Congress) poster, 1928. Printed by F. W. Rohden, Essen. Photolithograph. The Museum of Modern Art, New York, Purchase Fund, Jan Tschichold Collection, 326.1937. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2018 Artist Rights Society (ARS), New York / VG Bild-Kunst, Bonn.

Jan Tschichold and the New Typography

821::/cck::
::introtext::

Jan Tschichold and the New Typography

Drawing on ...

Julianne Swartz. Joy, still, 2018. 21:38 mins, 16 channels, electronics, composed soundtracks. Commissioned by Grace Farms Foundation, New Canaan. Courtesy of Julianne Swartz Studio, Stone Ridge and Josée Bienvenu Gallery, New York City. Photo: Eva Deitch.

Julianne Swartz interview – ‘Joy is also talking about sorrow and desp...

Lilly Wei: Would you tell me how this project, Joy, Sti...

Jeff Koons. Seated Ballerina, 2010–15 (detail). Mirror-polished stainless steel with transparent colour coating, 210.8 x 113.5 x 199.8 cm. Collection of the artist. © Jeff Koons. Photo: Fredrik Nilsen, 2017. Courtesy Gagosian.

Jeff Koons

802::/cck::
::introtext::

Jeff Koons

From a balloon bunny to a vast, glossy pink Venus of Willendorf, ...

Jean-Jacques Lequeu. The Great Lessor, undated. Image: Department of Prints and Photography, BnF.

Jean-Jacques Lequeu: Builder of Fantasy

796::/cck::
::introtext::

Jean-Jacques Lequeu: Builder of Fantasy

Deer-he...

Joseph Hillier. Photo: Martin Kennedy.

Joseph Hillier – video interview: ‘Figurative sculpture in a public sp...

795::/cck::
::introtext::

Joseph Hillier – vi...

Maja Hoffman and Jorge Pardo, hotel L’Arlatan, Arles. Photo: Pierre Collet.

Jorge Pardo: ‘There’s a lot of No in conceptual art. I’m interested ...

Veronica Simpson: You said in an interview with Lane Re...