Published 01/07/2011
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Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding i...
Allie Biswas: The exhibition offers a clear trajectory ...
Albert Edelfelt and Akseli Gallen-Kallela
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Albert Edelfelt and Akseli Gallen-Kallela
Can...
Ali Cherri – interview: ‘You cannot un-write violence. I am interested...
you are also seeing through to the paintings on the wal...
A State of Matter: Modern and Contemporary Glass Sculpture
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A State of Matter: Modern and Contempo...
A Century of the Artist’s Studio: 1920–2020
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A Century of the Artist’s Studio: 1920-2020
Ai Weiwei: The Liberty of Doubt
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Ai Weiwei: The Liberty of Doubt
This exhibition may be ...
Allison Katz: Artery
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Allison Katz: Artery
In her first institutional solo show in Londo...
Anselm Kiefer: Pour Paul Celan
References
1. L’Art Survivra à Ses Ruines (Art Will Survive Its Ruins) by Anselm...
Anna Ray: Fibre and Form
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Anna Ray: Fibre and Form
This joyous explosion of colour, patt...
Angelica Mesiti: In the Round
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Angelica Mesiti: In the Round
Mesiti skilfully choreograp...
Adam Jeppesen – interview: ‘I embrace imperfection’
Nicola Homer: How did you arrive at the decision to become an artist, as ...
Annie Morris – interview: ‘All my work revolves around experiences Iâ€...
David Trigg: Your most recognisable body of work is you...
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