Studio International

Published 01/07/2011

Bourse de Commerce (The metal and glass dome was installed in 1812 and renovated by Tadao Ando Architect & Associates, Niney and Marca Architects, Agency Pierre-Antoine Gatier), Paris. Photo: Indefini, Public domain, via Wikimedia Commons.

Bourse de Commerce, the new François Pinault Art Museum in Paris

References
1. Introduction to Nicolas Le Camus de ...

The Duchess of Cambridge meeting with Catsou Roberts, director of Vital Arts, at the Royal London Hospital. Photo: Arthur Edwards.

Catsou Roberts – interview: ‘It is our duty to the NHS to elicit the p...

David Trigg: Vital Arts has been enhancing hospital env...

Mixing It Up: Painting Today, installation view, Hayward Gallery, 2021. Courtesy of Hayward Gallery. Photo: Rob Harris.

Mixing It Up: Painting Today

Reference

Attillah Springer, quoted in the exhibition catalogue for Mixing It Up.

...

Katharina Grosse, Shutter Splinter ( detail), 2021. Photo: Veronica Simpson.

Helsinki Biennial and Helsinki Design Week

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Helsinki Biennial and Helsinki Design Week

F...

Phyllis Christopher. Photo: Kate Sweeney.

Phyllis Christopher – interview: ‘We had come out, people were dying, ...

Anna McNay: Your exhibition, Contacts, and the publicat...

Restitution: The Return of Cultural Artefacts by Alexander Herman, published by Lund Humphries.

Restitution: The Return of Cultural Artefacts – book review

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Restitution: The Return of Cultural...

Noguchi. Installation view, Barbican Art Gallery, London, 30 September 2021 – 9 January 2022. © Tim Whitby / Getty Images.

Noguchi

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Noguchi

Aiming to bring sculpture into people’s everyday lives, Noguchi mixed...

Turi Simeti (1929-2021): A Homage, installation view, The Mayor Gallery, London, 2021.

Turi Simeti (1929-2021): A Homage

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Turi Simeti (1929-2021): A Homage

A tribute to Turi S...

Simone Fattal: Finding a Way, installation view, Whitechapel Gallery, London, 21 September 2021 – 15 May 2022. Photo © Whitechapel Gallery.

Simone Fattal: Finding a Way

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Simone Fattal: Finding a Way

This is a staggering show, do...

Edward Ruscha, Pain Killers, Tranquilizers, Olive, 1969. Oil on canvas, 50.8 x 61 cm. Courtesy of the Christen Sveaas Art Foundation/DACS.

Christen Sveaas Art Foundation: This is the Night Mail selected by Ida Ekb...

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Christen Sveaas Art F...

Adam Jeppesen in his studio, Villa Ruiz, Argentina. Photo: Charlotte Haslund.

Adam Jeppesen – interview: ‘I embrace imperfection’

Nicola Homer: How did you arrive at the decision to become an artist, as ...

Gijs Van Vaerenbergh. Photo © Jimmy Ketz.

Gijs Van Vaerenbergh – interview: ‘We are always experimenting with th...

Anna McNay: How long have you been working together as ...