Studio International

Published 01/07/2011

Lynn Hershman Leeson. CyberRoberta, 1996. Custom-made doll, clothing, glasses, webcam, surveillance camera, mirror, original programming, and telerobotic head-rotating system, approximately 17 ¾ x 17 ¾  x 7 ⅞  in (45 x 45 x 20 cm). Courtesy the artist; Bridget Donahue Gallery, New York; and Altman Siegel, San Francisco.

Lynn Hershman Leeson – Twisted; Ed Atkins – Get Life/Love’s Work

470::/cck::
::introtext::

Lynn Hershman Leeson – T...

Rebecca Salter, portrait © Jooney Woodward.

Rebecca Salter – interview: ‘I believe that art thrives in a crisis an...

David Trigg: After graduating from Bristol Polytechnic ...

Tea House 'Go-an' / Terunobu Fujimori. Photo: ToLoLo studio.

Pavilion Tokyo 2021

466::/cck::
::introtext::

Pavilion Tokyo 2021

As the city holds the 2020 Olympics, architects...

Hormazd Narielwalla. Photo: Denis Laner.

Hormazd Narielwalla – interview: ‘True, he’s physically not here, bu...

Anna McNay: Diamond Dolls is a limited-edition artist...

Nicolai Aluf. Sophie Taeuber with her Dada head, 1920. Gelatin silver print on card, 12.9 x 9.8 cm. Stiftung Arp e.V., Berlin.

Sophie Taeuber-Arp

468::/cck::
::introtext::

Sophie Taeuber-Arp

The passion and excitement of this multidisciplin...

Karla Black, Photo: Ronnie Black, Courtesy Galerie Gisela Capitain, Cologne.

Karla Black – interview: ‘I don’t see culture and nature as separate...

Veronica Simpson: Tell me about the wo...

Blenheim Park and Gardens, landscaped by Capability Brown, provide the backdrop for Tino Sehgal’s performance pieces, which he does not allow to be photographed. Image courtesy of Blenheim Art Foundation.

Tino Sehgal

465::/cck::
::introtext::

Tino Sehgal

The Berlin-based performance artist returns to the UK with huma...

Mary Grigoriadis, Rain Dance, 1974. Oil and acrylic on linen, 66 × 66 in (167.64 × 167.64 cm). Courtesy of the artist and Accola Griefen Fine Art. Photo: Phoebe d’Heurle.

With Pleasure: Pattern and Decoration in American Art 1972–1985

464::/cck::
::introtext::

With Pleasure: Pattern and Deco...

James Barnor. Sister holding Brother, Accra, 1979. Courtesy Galerie Clémentine de la Féronnière.

James Barnor: Accra/London – A Retrospective

462::/cck::
::introtext::

James Barnor: Accra/London – A Retrospective

Eduardo Chillida with Lo profundo es el aire, Estela IX [How Pround is the Air; Stele IX], 1989. Granite. Photo: Jordi Belver. © Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth.

Eduardo Chillida

461::/cck::
::introtext::

Eduardo Chillida

The Basque sculptor’s geometry-defying, spatially e...

Larry Achiampong, Detention (SHOUTING BLACK LIVES MATTER WITH ALGORITHMS AND INTENTIONS THAT EXPIRED WITH LAST YEAR’S MILK), 2021. Blackboard, chalk. Written by Juan Cruz, Monday 3 May 2021. Courtesy of Talbot Rice Gallery, University of Edinburgh. Pictured – Melissa MacRobert, Exhibitions Manager at Talbot Rice Gallery. Image by Neil Hanna Photography.

The Normal

449::/cck::
::introtext::

The Normal

A bracing reflection on social and environmental issues that have...

Mick Peter, Gerroff! (or User Feedback), 2021 at Hospitalfield. Image courtesy of the artist.

Mick Peter – interview: ‘The project was pleasingly indulgent, a free ...

CS: Can you tell me a little about your process working...