Angela Su: Arise: Hong Kong in Venice – Venice Biennale 2022
Angela Su talks about the new age group that tried to levitate the Pentagon, a story that informed h...
Niamh O’Malley: Gather – Venice Biennale 2022
Niamh O’Malley says she wants her Irish Pavilion installation to be a welcoming space, for visitor...
Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Bie...
Giant ears, a massive inflatable heart and a disembodied head – Jonathas de Andrade explains why h...
Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022
In the darkness of the Icelandic Pavilion, Sigurður Guðjónsson talks about his monumental video w...
Mark Francis – video interview: ‘l like to use a grid to convey order ...
Mark Francis discusses the evolution of his subject matter, his techniques, his use of colour, the i...
Jasia Reichardt – video interview: ‘It’s not really labour … It’...
Jasia Reichardt discusses the newly published archive catalogue she has collated and curated over 20...
Donna Huddleston – video interview: ‘I was thinking of all the works b...
Donna Huddleston talks about her beguiling new works on paper, for which she draws on her background...
Cristina Iglesias – video interview: ‘I always felt I wanted to create...
Cristina Iglesias discusses her fascination with geology and botany, how public sculpture assists in...
Tunji Adeniyi-Jones – interview: ‘I want to show composure and a confi...
Tunji Adeniyi-Jones talks about his new paintings in That Which Binds Us, his first solo show at Whi...
Nneka Uzoigwe – interview: ‘I find plein air painting extraordinary be...
Nneka Uzoigwe talks about her residency at Watts Gallery – Artists’ Village responding to the wo...
Christopher Houghton Budd – interview: ‘What’s needed here is a high...
Economist-turned-artist Houghton Budd, who moved to Folkestone seven years ago, has created a most e...
genuinefake – interview: ‘I use my creative practice to try to start c...
Along Folkestone’s seafront, the artist genuinefake (AKA Rachel Stella Jenkins) has conjured a tem...
Charlotte Keates – interview: ‘I want my paintings to feel more like d...
Charlotte Keates talks about her series of paintings in the group show Just What Is It …?, at Cris...
Mariam Zulfiqar, the curator of an exhibition of art installations at Chiswick House, says it marks ...
Claire Ashley – interview: ‘I’m not an artist who is scared about th...
Claire Ashley makes vast colourful, oddball inflatables. Ashley talks about giving life to these cha...
Crystal Fischetti – interview: ‘I use my whole body when I paint’
Crystal Fischetti talks about ‘coming out’ of the spiritual closet, and how she uses her whole b...
Nick Hornby – interview: ‘Liquefied photography is magical and mysteri...
British artist Nick Hornby talks about his shift from art history to personal histories, and combini...
Sara Barker – interview: ‘I tackle sculpture from the position of pain...
Glasgow-based Sara Barker talks about how the pandemic has affected her practice and her exhibition,...
Christina Quarles – interview: ‘These works are holding onto that slow...
Created during lockdown, against a backdrop of rising deaths from Covid, the police killing of Georg...
Krištof Kintera – interview: ‘Humour helps us to survive’
Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kin...
A personal message: Anita Glesta
Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New Yo...
Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...
The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...
Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...
Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...
Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...
Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...
Denzil Forrester – interview: ‘I needed that dark space to bring out t...
Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...
Christine Rebet– interview: ‘Animation is perfect for critique: it is ...
Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...
Darren Waterston – interview: ‘My normal studio practice is quite mona...
Studio International spoke to Waterston ahead of the opening of his installation Filthy Lucre: Whist...
Paul Mpagi Sepuya - interview: ‘I’m not making tricky pictures. There...
While a quest to understand the myriad undefined potentials of queer social spaces is one factor beh...
Leo Villarreal – interview: ‘It was interesting to connect to the univ...
American artist Leo Villareal talks about his first solo show at Pace, London, and his latest public...
Hansjörg Mayer – interview: ‘To handle and open and read the books .....
Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us th...