Richard Demarco interview: ‘The art world, like the Edinburgh festival i...
Richard Demarco has organised exhibitions and theatre events for the Edinburgh festival since 1963. ...
DALeast interview: ‘I’m constantly thinking about creating something m...
The figures in Chinese artist DALeast’s paintings don’t look as if they are either coming or goi...
Deb Covell interview: ‘I want to show how far painting can be pushed’
Deb Covell (b1966) is a painter who seeks to celebrate the material qualities of paint. Rejecting pi...
Anne Graham interview: ‘The ability to see things as if for the first ti...
Anne Graham currently has two exhibitions of sculpture in Sydney, which indicate the many layers of ...
GW Bot interview: ‘Living and working in Australia has meant coming to t...
GW Bot lives in Canberra, Australia’s bush capital, with the Brindabella Range on one side and sub...
A pioneer in modern Italian art, Nanda Vigo has continually skirted the confines of design, architec...
Nico van der Endt interview: ‘Willem van Genk was a visionary, a man dis...
Willem van Genk, one of the most fascinating outsider artists, is featured in a new exhibition at th...
Mwangi Hutter interview: ‘we are interested in personal and universal re...
Berlin and Nairobi-based artist duo Mwangi Hutter talk about their work as a collaborative, how they...
Xavier Mascaró interview: ‘I’m a sculptor, because I want to leave so...
Latin American sculptor Xavier Mascaró talks about his obsession with presence and absence in his w...
Nadav Kander is an award-winning photographer with an international reputation. He has photographed ...
Agathe Sorel interview: ‘I never have an idea in advance, even now. Expe...
Agathe Sorel talks about her battle to get printmaking recognised in art colleges, her unconventiona...
Christopher Le Brun interview: ‘From the drama of the image in my earlie...
Royal Academy president Christopher Le Brun has produced 33 new canvases for his solo show at Friedm...
Sally Smart, known for her large-scale installations, talks about her recent project, The Pedagogica...
In this conversation with Studio International about her first retrospective, titled Scenarios, at t...
Rafael Lozano-Hemmer: interview
Famous for his interactive installations for public spaces, Rafael Lozano-Hemmer talks about his unu...
Will Maclean and Marian Leven: interview
An Suileachan is an art project on the Isle of Lewis, by Will Maclean and Marian Leven, that reflect...
Folkestone Triennial 2014: video interviews with curator Lewis Biggs, Alastair Upton, chief executiv...
The work of rootoftwo also responds to anxiety, but by measuring social media and people’s respons...
Emma Hart’s work is full of anxiety. Located in an empty domestic space on Tontine Street, Folkest...
Pablo Bronstein, whose Sketches for Regency Living graced the walls of the ICA in London this summer...
Jyll Bradley, a native of Folkestone, has returned to the town to create a wonderful homage to the K...
Fresh from his incredible journey with Nowhereisland, Alex Hartley speaks to us from his lookout ato...
Lewis Biggs is this year’s curator of the Folkestone Triennial, invited to join after 11 years as ...
Alastair Upton is chief executive of The Creative Foundation, an independent visionary arts charity ...
Dashiell Manley interview: ‘I approach most projects as if making a film...
Los Angeles-based artist Dashiell Manley talks about The Great Train Robbery, explains why he sees h...
Stephen Farthing, Rootstein Hopkins Chair of Drawing, talks to Janet McKenzie about his obsession wi...
Mark Soo interview: ‘The object of observation changes by being observed...
Multimedia artist Mark Soo tells A Will Brown about his interest in the interconnection of elements,...
Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where ...
Lisa Corinne Davis talks to Lilly Wei about her multilayered, map-like paintings, the complex relati...
Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...
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