Published  30/11/-0001
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David Downes – interview: ‘Through the adversity, I thought this is so...

David Downes talks about his project of documenting the Covid-19 pandemic and how his autism feeds i...

Studio Morison – interview: ‘MOTHER … was made to heal us now, to pr...

The artists talk about their site-specific, timber and straw commission, MOTHER …, for Wicken Fen,...

Tom de Freston – interview: ‘Painting by its very nature is an act of ...

For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years...

Mark Titchner – interview: ‘Language is how we relate to the world, th...

His text-based work Please Believe These Days Will Pass has formed a key part of the UK’s early lo...

Lonnie Holley – interview: ‘I started doing my work with a knife, fork...

Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment...

Ken Done – interview: ‘We white blokes could learn from collaboration ...

Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...

Robert Fitzmaurice – interview: ‘I started to truncate the figure a lo...

The artist talks about the work in his latest show, now postponed, his interests and influences – ...

Hilarie Mais – interview: ‘I draw what I am working on as a way of und...

The artist talks about her abstract constructions, which lie partway between painting and sculpture,...

The effects of Covid-19 on Italian museums: interviews with the directors ...

As Italy tentatively enters a less restrictive phase of Europe’s longest lockdown, the leaders of ...

Alexandra Daisy Ginsberg – interview: ‘We need to radically rethink ou...

The coronavirus pandemic is a chance for people to ask how they can do better by nature, says Ginsbe...

Helen Cammock – interview: ‘Creativity requires a space of idleness, o...

Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text instal...

A personal message: Anita Glesta

Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New Yo...

Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...

The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...

Janet Laurence – interview: ‘White Australians didn’t have a way of ...

A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...

Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...

Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...

Maurice Burns – interview: ‘I think musically when I compose my painti...

The artist talks about his current exhibition at Gerald Peters, his first show in New York, his comp...

Marguerite Humeau – interview : ‘I think art was born from a will to b...

Whether she is reconstructing the voice of Cleopatra or creating futuristic elephantine forms, Humea...

Carmen Neely – interview: ‘I'm interested in the process of what is lo...

The artist talks about the role of collecting, (re)creating characters and identities, translation, ...

Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...

Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...

Denzil Forrester – interview: ‘I needed that dark space to bring out t...

Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...

An-My Lê – interview: ‘All the striations of important events are ret...

Photographer An-My Lê talks about her project Silent General and the personal and political tension...

Tony Lewis – interview: ‘I’ve got to wear a Tyvek suit, a ventilatio...

The artist explains the lengths he must go to in order to create his signature graphite ‘floor dra...

Christine Rebet– interview: ‘Animation is perfect for critique: it is ...

Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...

Darren Waterston – interview: ‘My normal studio practice is quite mona...

Studio International spoke to Waterston ahead of the opening of his installation Filthy Lucre: Whist...

John Cornish – interview: ‘It would be unfair just to look back on my ...

The son of the artist Norman Cornish, whose work is synonymous with mining life in the County Durham...

Paul Mpagi Sepuya - interview: ‘I’m not making tricky pictures. There...

While a quest to understand the myriad undefined potentials of queer social spaces is one factor beh...

Ann Dumas – interview: ‘Every exhibition is fraught with problems and ...

One of the UK’s leading curators, Dumas talks about women in the art world, the trials and triumph...

Alison Carlier – interview: ‘Drawn marks can describe and convey human...

Alison Carlier, the first to win the Jerwood Drawing Prize for an audio piece, talks about the overl...

Pio Abad – interview: ‘The backbone of my practice is family: personal...

The London-based Filipino artist talks about The Collection of Jane Ryan & William Saunders, 3D repl...

Alfredo Jaar – interview: ‘You can talk about violence without humilia...

As his seminal Rwanda Project is revived at London’s Goodman Gallery, the Chilean artist and archi...

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