Christopher Le Brun & Charlotte Verity – interview: ‘There is such a t...

To coincide with a rare joint exhibition now on view at The Gallery at Windsor in Florida, Christoph...

Lina Lapelytė – interview: ‘Between this group of performers, what we...

Perhaps best known for her eco-opera Sun & Sea (Marina), Lina Lapelytė discusses her approach to im...

Delaine Le Bas – interview: ‘People still have expectations about what...

From the heart of her installation at the White House in east London, Romany artist Delaine Le Bas t...

Shu Lea Cheang and Dondon Hounwn – interview: ‘Hagay Dreaming continua...

Speaking during rehearsals, Shu Lea Cheang and Dondon Hounwn reflect on the sources of inspiration f...

Louisa Gagliardi – interview: ‘Something really important in my work i...

At the opening of her show at MASI Lugano, Louisa Gagliardi says she draws from Renaissance art and ...

Maryam Tafakory – interview: ‘We weren’t just learning to draw – w...

Film-maker Maryam Tafakory collages found footage with the cinema of post-revolutionary Iran to expl...

Stephen Dean – interview: ‘A ladder fitted perfectly into a place that...

Stephen Dean discusses Crescendo, his installation of a 15-metre ladder decorated with his signature...

Lindsey Mendick – interview: ‘My brain is not my best friend’

What is it to be a woman who doesn’t have all her shit together and to be making work that is quit...

Lizzie Munn – interview: ‘Composing them on a wall, rather than being ...

A recent graduate of the Royal Academy Schools, Lizzie Munn works between printing, painting, sculpt...

Karolina Albricht – interview: ‘I was fascinated by how an image plays...

Karolina Albricht discusses her ambitious multi-part painting inspired by the Eastern European tradi...

Basil Beattie – interview: ‘passageway, corridor, ladder, staircase, t...

Rooted in abstract painting, Basil Beattie has for many years developed a uniquely powerful vocabula...

Anna Perach – interview: ‘I am always searching for that magic ingredi...

Anna Perach talks about why she is more like Sergei Diaghilev than Taylor Swift, how she explains th...

Mali Morris – interview: ‘A phrase that I use as a mantra is “What i...

In the run up to her exhibition at Hatton Gallery, Mali Morris talks about her processes of applying...

Liorah Tchiprout – interview: ‘Painting is terrifying!’

As Liorah Tchiprout's second solo show arrives in London, the printmaker and painter discusses her u...

Selva Aparicio – interview: ‘I have worked a lot with mourning. It is ...

Aparicio has had a packed year, with her first major solo show in Chicago and two works commissioned...

Flora Yukhnovich – interview: ‘I’m always looking at history through...

Where better to view the work of contemporary rococo-inspired painter Flora Yukhnovich than at the W...

Lucía Pizzani – interview: ‘Come on, look at me, I’m here. We both ...

The London-based Venezuelan artist talks about her commission at Harewood House, her exhibition at C...

Hetain Patel – interview: ‘Getting to that essence of creation, which ...

Alongside the artist’s own work, which includes a carpet-covered Ford Escort, is a cornucopia of s...

Garth Evans – interview: ‘There has to be the sense that the physicali...

In the lead up to his 90th birthday, sculptor Garth Evans talks to Sam Cornish, curator of A Place i...

Mella Shaw – interview: ‘All art is a form of activism. I use my pract...

Bella Shaw talks about her award-winning work Sounding Line, which focuses on the overuse of marine ...

Dominique White – interview: ‘I do everything the wrong way’

Ahead of her Whitechapel Gallery commission, Dominique White, the winner of the Max Mara Art Prize f...

Emma Stibbon – interview: 'We need the science, the data, but art can re...

Tackling issues of climate change and coastal erosion in both the local area and as far afield as th...

Hildigunnur Birgisdóttir – interview: ‘I am inspired by the underwhel...

Recycled jute coffee bags, plastic pizza and a heap of wet wipes – for Iceland’s Pavilion at thi...

Tony Cragg - interview: ‘There are many more things that do not exist th...

In the gardens of Castle Howard, north Yorkshire, Tony Cragg talks about his different sculptural se...