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Studio Morison – interview: ‘MOTHER … was made to heal us now, to pr...

The artists talk about their site-specific, timber and straw commission, MOTHER …, for Wicken Fen,...

Tom de Freston – interview: ‘Painting by its very nature is an act of ...

For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years...

Mark Titchner – interview: ‘Language is how we relate to the world, th...

His text-based work Please Believe These Days Will Pass has formed a key part of the UK’s early lo...

We=Link: Ten Easy Pieces

An online exhibition of new net art critiques the digital networks we have become so reliant on duri...

Christo (1935-2020)

The Bulgarian-born artist famed for wrapping massive structures, great bodies of water and chunks of...

Lonnie Holley – interview: ‘I started doing my work with a knife, fork...

Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment...

Digital and networked art in lockdown: how can we be creative in new ways?

Unable to open to the public, museums and galleries have been quick to offer virtual tours and exhib...

Revamped Kyoto City Kyocera Museum of Art is soon to reopen

The original 1933 building, a mix of traditional Japanese design and 1920s western architectural sty...

Ken Done – interview: ‘We white blokes could learn from collaboration ...

Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...

Robert Fitzmaurice – interview: ‘I started to truncate the figure a lo...

The artist talks about the work in his latest show, now postponed, his interests and influences – ...

Nanda Vigo (1936-2020)

Nanda Vigo, the multifaceted protagonist of postwar European arts, has died in Milan aged 83...

Hilarie Mais – interview: ‘I draw what I am working on as a way of und...

The artist talks about her abstract constructions, which lie partway between painting and sculpture,...

The effects of Covid-19 on Italian museums: interviews with the directors ...

As Italy tentatively enters a less restrictive phase of Europe’s longest lockdown, the leaders of ...

Alexandra Daisy Ginsberg – interview: ‘We need to radically rethink ou...

The coronavirus pandemic is a chance for people to ask how they can do better by nature, says Ginsbe...

Domestic Bliss

This exhibition of works from Glasgow Museums’ collection explores the concept of domestic bliss, ...

John Newling: Dear Nature

Newling’s ecological artworks provoke questions about how we can work in harmony with nature and c...

Glasgow International 2020: Digital Platform

With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often ...

Helen Cammock – interview: ‘Creativity requires a space of idleness, o...

Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text instal...

Nicolaes Maes: Dutch Master of the Golden Age

The National Gallery charts the fascinatingly bisected oeuvre of Nicolaes Maes, whose early genre in...

Looking Up: Helaine Blumenfeld at Canary Wharf

The luxury corporate campus of Canary Wharf makes an unusual but strangely prescient setting for scu...

Cao Fei: Blueprints

Cao’s first large-scale UK exhibition is a fantastical exploration of utopian and dystopian worlds...

The impact of Covid-19 on art critics

This essay, comprising conversations with UK-based critics looks at the effects of the Covid-19 pand...

Léon Spilliaert

Ostend’s master draughtsman oscillates between retreat and escape, nocturnal and diurnal, imbuing ...

Cecil Beaton: Bright Young Things

This thoughtfully designed exhibition tells the story of Cecil Beaton and the Bright Young Things pe...

The impact of Covid-19 on artists, part 5: the long-term outlook and the g...

In the final instalment of this five-part essay, comprising conversations with artists around the wo...

British Surrealism

This is a long overdue survey of the British contribution to the surrealist movement...

Chung Sang-Hwa: Excavations, 1964-78

Chung was in the vanguard of Korean abstract painting in the 1960s and 70s and this show combines 11...

The impact of Covid-19 on artists, part 4: artistic responses to the coron...

In the fourth instalment of this five-part essay, comprising conversations with artists around the w...

Transparent Things

Video walkthrough of this group exhibition at Goldsmiths Centre for Contemporary Art narrated by cur...

Young Rembrandt

Covering the first decade of Rembrandt’s work, with more than 30 paintings and 90 drawings and pri...

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