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The British Museum turns its attention to Japan’s distinctive medium of graphic storytelling, and ...

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Petra Bauer – interview: ‘The crucial thing was to make sure the sex w...

Inspired by feminist film practitioners who emphasise the importance of making films with their subj...

Leonor Antunes: a seam, a surface, a hinge or a knot – Venice Biennale 2...

Leonor Antunes combines her sculpture and craft to open up conversations within architectural spaces...

This Is What It Is to Be Happy

What is it to be happy in an age where mental health problems are so prevalent? How can communing wi...

Keith Tyson – interview: ‘I’m quite happy for the world to seep thro...

The artist talks about the joys of scaling back, relearning the craft of painting, and why the flowe...

Renate Bertlmann: Discordo Ergo Sum – Venice Biennale 2019

Renate Bertlmann’s work is rooted in 1970s feminism, yet her message is entirely contemporary. She...

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Milan Triennale XXII: Broken Nature – Design Takes on Human Survival

Under the stewardship of MoMA’s Paola Antonelli, the revitalised exhibition turns its eyes to our ...

Eva Rothschild: The Shrinking Universe – Venice Biennale 2019

Eva Rothschild’s installation in Venice’s Arsenale summons the spirit of infrastructure, rubble ...

Jock McFadyen – interview: ‘The Royal Academy Summer Exhibition doesn...

McFadyen, known for his urban landscapes and putting the marginal centre stage in his paintings, is ...

Sean Edwards: Undo Things Done – Venice Biennale 2019

Sean Edwards discusses growing up in a community with low expectations and expressing the most hones...

Whitney Biennial 2019

Edition 2019 looks great, goes wide and speaks loudly, but is it off mission? Lost in this bi-coasta...

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Casey Reas – interview: ‘There is an increased understanding that soft...

Reas is known as the man who helped to create the open-source programming language Processing and br...

Motions of This Kind: Propositions and Problems of Belatedness

Three curators and 11 artists retell the colonial history of the Philippines through subjective and ...

Orson Welles: the graphic artist

A film and a book on Welles’s artwork provide another lens through which to observe one of cinema...

Frieze New York 2019

This year’s fair demonstrated a more open-ended approach than usual, exhibiting and promoting dive...

Imaginary Cities

The digital artist Michael Takeo Magruder transforms urban maps from the British Library into data-d...

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Lawrence Lek – interview: ‘AI could become the ultimate content creati...

Lek talks about artificial intelligence taking over from human creativity, and AIDOL, his feature-le...

Victor Wong – interview: ‘The human is inspired by the machine and the...

Artist-inventor Victor Wong talks about his robot artist AI Gemini, how he feels about his invention...

Nye Thompson – interview: ‘The bots are actually the primary audience ...

In her project The Seeker, a system of machines looking at images on screen, analysing them and whis...

Joanna Piotrowska: All Our False Devices

In this installation at Tate Britain, Piotrowska’s black-and-white photos and 16mm films of intima...

Jack Whitten: Jack’s Jacks

Embellished with sparkling gemstones and richly coloured tiles, Whitten’s memorial paintings on sh...

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Artist Rooms: Self Evidence – Photographs by Woodman, Arbus and Mappleth...

In their intimate and groundbreaking portraits, Woodman, Arbus and Mapplethorpe dared to show the di...

Yorkshire Sculpture Park opens Weston visitor centre

A visitor pavilion by Feilden Fowles opens up an overlooked area of the 500-acre sculpture park. The...

Angelica Mesiti – interview: ‘I really want to maintain ambiguity and ...

Representing the Australian Pavilion at this year’s Venice Biennale, Angelica Mesiti is showing a ...

Chihuly at Kew: Reflections on Nature

As an artist who seeks to create works that appear as if they came from nature, placing intervention...

Stanley Kubrick: The Exhibition

This show takes us through the ephemera of Kubrick’s films – from female mannequins and a giant ...

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Antonello da Messina

A must-see exhibition at Milan’s Palazzo Reale unites two-thirds of the surviving paintings by Sic...

Jonathan Baldock: Facecrime

Baldock looks as if he is having fun, pulling faces in mud and decorating them in glaze, and the moo...

Aliza Nisenbaum – interview: ‘I was torn between wanting to be a socia...

The Mexican-born, New York-based artist talks about her first UK public commission, a mural at Brixt...

Jonathan Monk: Exhibit Model Four – plus invited guests

This exhibition comprises a wallpaper of Monk’s photographs from the past 20 years, along with art...



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