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Liz Johnson Artur: If You Know the Beginning, the End Is No Trouble

The photographer celebrates 28 years living among south London’s black British community with this...

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Lucio Fontana: On the Threshold

A miraculous retrospective revivifies the Argentine-Italian painter and sculptor, laying bare the br...

Nunzio: The Shock of Objectivity

The elegantly cryptic, scorched sculptures and lustrous lead reliefs of the Italian artist Nunzio ar...

Ekaterina Degot – interview: ‘We now have an abyss on all fronts – e...

Degot discusses Steirischer Herbst, an annual art festival held in Graz, Austria. Last year, her fir...

Barbara Takenaga, Linda Fleming, Jaq Chartier, Alison Hall at Robischon Ga...

Although these four solo exhibitions – hosted side by side – are each distinctive, they all cont...

Ibrahim El-Salahi – interview: ‘Drawing for me is a kind of meditation...

Using his art as a form of meditation to alleviate chronic back pain, Sudanese artist Ibrahim El-Sal...

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Lubaina Himid – interview: ‘It is my intention to create artworks that...

Lubaina Himid’s first solo exhibition in the US opens this week, debuting works that continue her ...

Dulwich Pavilion 2019: The Colour Palace

The Colour Palace is a monumental temporary pavilion by artist Yinka Ilori and architects Pricegore,...

Shirley Tse: Stakeholders – Venice Biennale 2019

The artist talks about accommodation and negotiation as expressed in her Venice installation, Stakeh...

Paula Rego – interview: ‘I’m interested in seeing things from the un...

From criticism of dictatorship in her native Portugal in the 60s to the 90s abortion series and Dog ...

Julie Cunningham – interview: ‘I had the experience for many years of ...

Seeking to erase embedded patriarchal structures and fixed gender identities through dance, Julie Cu...

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Remy Jungerman and Iris Kensmil: The Measurement of Presence – Venice Bi...

Jungerman and Kensmil’s installations for the Dutch Pavilion explore issues of race, identity, cul...

Michael Craig-Martin: Sculpture

For the first time, Craig-Martin’s sculptures are indoors and there is an Alice in Wonderland feel...

Royal Academy of Arts Summer Exhibition 2019

The spectacle that is the Royal Academy Summer Exhibition and the stylishness of its visitors has, i...

Shu Lea Cheang: 3x3x6 – Venice Biennale 2019

Shu Lea Cheang’s multi-media installation for Venice uses its ancient prison setting well to explo...

Frank Bowling

This exhibition of Bowling’s work is colourful, joyous and long overdue. Covering the entire span ...

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Into the Mountain: Simone Kenyon

Immersive art doesn’t usually involve a 5.30am start and a day hiking in the rain, but Into the Mo...

Writings on the Wall

This exhibition is a tribute to six 20th-century artists who drew inspiration from the street art an...

Lee Krasner: Living Colour

This joyful exhibition, a testament to Krasner’s astonishing energy, creativity and capacity for r...

Gerhard Richter: Seascapes

An exhibition of Richter’s seascapes goes on display at Guggenheim Museum Bilbao, proving that, ev...

Norman Gilbert: Passion, Vision & Spirit II

This show, spanning 50 years of Gilbert’s career, is not only a record of the artist’s output, b...

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Lothar Götz – interview: ‘In Britain, people think abstraction is jus...

Artist Lothar Götz talks about designing a monumental mural for Towner Art Gallery, the politics of...

Thomas Kilpper: The Politics of Heritage vs the Heritage of Politics

Edinburgh Printmakers celebrates its new home with an exhibition by Thomas Kilpper, in which the Ger...

A Backward Glance: Giorgio Morandi and the Old Masters

The early 20th-century painter known for his devotion to still lifes is held up next to the artists ...

Luchita Hurtado: I Live I Die I Will Be Reborn

The 98-year old painter’s debut institutional exhibition showcases a lifetime of work that fuses t...

Van Gogh and Britain

In its first Van Gogh exhibition since 1947, the Tate considers how British culture informed the art...

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Raffi Kalenderian – interview: ‘It’s like banging your head against ...

For Kalenderian, painting is all about excitement. His radical portraiture – as much of the scene ...

AI: More than Human

With AI seeping into all our lives, the Barbican should be congratulated for tackling such a prescie...

Andrew Marr – interview: ‘Everybody is angry and upset. We’ve messed...

The broadcaster, writer and former BBC political editor talks about how his painting and drawing pra...

Edmund de Waal: Psalm

In a two-part exhibition, the artist has used his trademark porcelain vessels, two buildings of grea...



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