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Helen Beard: interview

Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...

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Thomas Cole: Eden to Empire

A fresh look at the paintings of British émigré Thomas Cole reveals some eerily relevant messages ...

Whitstable Biennale 2018

Surreal, witty and at times unsettling, Whitstable Biennale 2018 is full of surprises...

Catherine Parsonage: ‘I wanted to break things apart, let everything be ...

The artist talks about how living in Rome has changed her work, why she is so interested in bodily f...

Eve Fowler: ‘Stein’s work really affected me’

The artist talks about her latest exhibition, What a slight, what a sound, what a universal shudder,...

Katharina Grosse: Prototypes of imagination

Across 11 portrait canvases and one enormous fabric hanging, Grosse’s complex, multilayered works ...

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Manuel Mathieu: ‘Life experience sometimes forces you to see things that...

The Haitian artist talks about coming to terms with his country’s turbulent history and some perso...

James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...

James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...

Junya Ishigami: Freeing Architecture

In his attempts to untether architecture from well-worn conventions, the Japanese architect liberate...

August Sander: Men Without Masks

Taken together, the portraits shown here, captured by the German photographer between 1910 and 1931,...

Eleanor Pinfield: ‘London – and London Underground - deserves to have ...

Pinfield is Head of Art on the Underground, which has commissioned work by Cindy Sherman, David Shri...

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Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’

Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...

David Cross: ‘Art is what fills the gap between how the world is and how...

A reader at the University of the Arts London, Cross talks about his struggle to persuade the univer...

Kerstin Brätsch_Ruine / Kaya_Kovo

Brätsch is an artist who works in the afterlife of modern painting, upending its history and mythol...

Phyllida Barlow: ‘It’s the first time I’ve experienced making someth...

As her first permanent artwork, Quarry is unveiled at Jupiter Artland, outside Edinburgh, Barlow tal...

Joana Vasconcelos: Gateway

Vasconcelos’s solo show offers a riot of colour and texture in this highly personal, curated sculp...

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Callum Innes: Byzantine Blue, Delft Blue, Paris Blue

Five of Innes’ paintings form the inaugural exhibition for the Ingleby gallery’s new space, an a...

Contemporary Chinese Works on Paper – A Review

A microcosm of Chinese art and social change at Ipswich Art Gallery – this group show of works on ...

Nigel Shafran: Work Books 1984-2018

Newly established gallery project Sion and Moore combines the creative experiences of its two founde...

Eugène Delacroix (1798-1863)

A colossal retrospective at the Louvre liberates the French romantic from his early history painting...

Celia Pym: ‘I didn’t ever see the point of invisible mending’

Describing herself as ‘an artist who works in textiles’ Pym talks about her recent surgery for m...

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Jane Irish: ‘There is a critical strain about the anti-war movement that...

For the first time in its 200-year history, a mansion in Philadelphia is transformed into a major pu...

Fergus McCaffrey Gallery opens in Japan

Since founding his New York gallery in 2006, Fergus McCaffrey has been instrumental in introducing p...

Harriet Middleton-Baker: ‘I enjoy the potential for opera to be seriousl...

The artist talks about unpicking the story of William Hogarth’s A Harlot’s Progress and using he...

The Ol’ Switcheroo

This group exhibition, by the artists Rebecca Lennon, Sarah Duffy and Sophie Jung with curator Carol...

Ettore Spalletti: ‘A yellow can lead me so far away into the light that ...

On the opening of his exhibition at the Galerie Marian Goodman, the Italian artist recounts his ritu...

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Adapt to Survive: Notes from the Future

The Hayward Gallery’s group show suggests future survival will demand that humans adjust to changi...

Chila Kumari Burman: ‘I scribble and make a mess in my studio. My whole ...

Burman talks about the inspirations for her intricate, multilayered works, including her latest comm...

Shape of Light: 100 Years of Photography and Abstract Art

Shape of Light is an exhibition for die-hard art photography enthusiasts. The rest of us will strugg...

Berlin Gallery Weekend 2018

Painting is back, and Berlin’s Gallery Weekend proved a great opportunity to survey its return...



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