Eduardo Paolozzi in conversation with J. G. Ballard and Frank Whitford
Eduardo Paolozzi, whose current exhibition at the Tate Gallery is, surprisingly, the first large-sca...
The sociology of knowledge is sure to be an eventful area of debate over the next few years...
A discussion between Paul Morrissey and Derek Hill – I thought I'd start from the difference betwe...
The series [Art & Technology on BBC] is primarily concerned with two problems—how artists use vari...
On industrialization and machinery in The Red Desert; on 'Ecogame' designed as a continuous intera...
Studio International – July/August 1970, Exhibition issue
July/August 1970 Volume 180 Number 924, Exhibition issue...
Technology and Art 15: Computer graphics at Brunel
"The potential that was so evident at the 1968 ICA exhibition is still there, but the actuality has ...
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
Barnett Newman by Don Judd, Studio International 1970
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
For me and many others, Barnett Newman establishes a prickly active presence of that something which...
Technology and Art 10: LINGUISTICS AND TOYS AT THE ICA
"Increasing numbers of mathematicians and of engineers have joined them [poets, philologists and phi...
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