London comment: e-letter from London
The sudden departure of Chief Curator Lars Nittve from the Tate Modern in July suggested that all wa...
Giorgio Morandi – A person, unmarried, and living for most of his life in a dingy apartment in a n...
Although hardly a 'movement' in the conventional sense, Arte Povera has stayed in the mind of a ...
A curiously gauche title this, for a great coup of an exhibition by Edinburgh. Could this be further...
RIBA in Ecstasy: British Architectural Awards 2001
RIBA Awards 2001 – Ecstasy and fatigue, according to neuro-psychologist Richard Gregory, go togeth...
Patrick Heron: the growing legacy of genius
The work of Patrick Heron is bound up with what is probably the most crucial series of events in Bri...
The world of the imagination, like that of the dream has attracted many twentieth century artists, f...
City exhibitions are not new. In 1977 Centre Georges Pompidou, Paris embarked upon a great series of...
Caravaggio: The Genius of Rome
It might seem churlish to criticise an exhibition which has been dedicated to the late Francis Haske...
Apocalypse: Beauty and Horror in Contemporary Art
Apocalypse: Beauty and Horror in Contemporary Art – The exhibition contains the work of thirteen i...
The exhibition of Victor Willing's paintings at Marlborough Fine Art supports the publication of the...
Paul Klee at the Scottish National Gallery
The Private Klee on show at the Scottish National Gallery of Modern Art in Edinburgh is the third in...
Bill Viola is included in the National Gallery's exhibition 'Encounters', which was sponsored by Mor...
Encounters: A dialogue with art from the past
The creative process evolves from personal experience, formal education, a dialogue with art from th...
Royal Academy Summer Exhibition, 2000
Given the characteristic hubris of Tate Modern over the river, it is interesting and also reassuring...
Ken Done - Opera house and bridge
Ken Done – To Sydneysiders and visitors alike the man-made structures of the Harbour Bridge and th...
The view from his studio of Chinaman's Beach long sustained Ken Done's artistic inquiry throughout t...
Ken Done – The Cabin studio at Mosman, overlooking Chinaman's Beach on Middle Harbour, was acquire...
Ken Done's earliest recollections of Sydney Harbour were as a young child during the war. In the ear...
The Arthur M Sackler Museum of Art and Archaeology, Peking University, Chi...
Arthur M Sackler Museum of Art and Archaeology at Peking University – From the time of his first v...
The Arthur M Sackler Gallery at the Smithsonian Institution, Washington DC
The Arthur M Sackler Gallery at the Smithsonian Institution will open to the public on 28th Septembe...
In the summer of 1986 there burst upon London, virtually unheralded, a major series of paintings, by...
Caravaggio: A Contemporary View by John Berger, Vol 196 No 998 1983.
Once I was asked to name my favourite painter. I hesitated, searching for the least knowing, most tr...
Victor Willing, letter to Studio International, 1980
Opting out of the rat race, Victor Willing had tried 'to make some silence' around himself, and proc...
An interview by Caroline Tisdall (Translated by Caroline Tisdall from an interview held in London on...
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