logo studio international

Steve McQueen

The vision of artist and film-maker Steve McQueen is bold and thought-provoking in this challenging ...

<

Yasumasa Morimura: Ego Obscura, Tokyo 2020

In his search for ‘the self’, Morimura takes on the guise of well-known historical figures and c...

Actinic – Photography in Print

As part of the Actinic Festival, Kristina Chan, Nick Devison, Itamar Freed, Morwenna Kearsley and Ma...

Denzil Forrester – interview: ‘I needed that dark space to bring out t...

Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...

Gianfranco Zappettini – interview: ‘Painting always survives’

As his first solo exhibition in London opens at Mazzoleni, Zappettini recounts his ease with unconfo...

David Reed: New Paintings

In his second solo show with Gagosian, Reed displays his many strengths in 15 new and impressive wor...

<

Van Eyck: An Optical Revolution

Celebrating the first stages of restoration of the Ghent Altarpiece, as well as the incredible acade...

An-My Lê – interview: ‘All the striations of important events are ret...

Photographer An-My Lê talks about her project Silent General and the personal and political tension...

Not Vital: SCARCH

Is there another living artist who has reimagined what architecture is or does quite so comprehensiv...

British Baroque: Power and Illusion

The Tate’s first survey of Britain’s late-17th-century art is a misshapen pearl, often glimmerin...

Daniel Arsham: Paris, 3020

Deities and emperors decay and crystallise in the American artist-designer’s enjoyable exhibition ...

<

Peter Fischli and David Weiss – Should I Paint a Pirate Ship On My Car W...

Three works from the duo’s career point up their concern with commonplace objects and the melancho...

Expressive Art in the Early 20th Century

This is a small but moving display that, 75 years after the Holocaust, reminds us of the need for co...

Tony Lewis – interview: ‘I’ve got to wear a Tyvek suit, a ventilatio...

The artist explains the lengths he must go to in order to create his signature graphite ‘floor dra...

Ruth Asawa: A Line Can Go Anywhere

Asawa, who was known for weaving sculptures with wire and studying at Black Mountain College under J...

Christine Rebet– interview: ‘Animation is perfect for critique: it is ...

Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...

<

Darren Waterston – interview: ‘My normal studio practice is quite mona...

Studio International spoke to Waterston ahead of the opening of his installation Filthy Lucre: Whist...

Unbound: Visionary Women Collecting Textiles

This fascinating and engaging exhibition puts the idea of female collectors at the heart of a social...

Luca Giordano: The Triumph of the Neapolitan Painting

An often thrilling exhibition at the Petit Palais asserts the mastery of the inescapable Neapolitan ...

Albert Reuss

The Jewish painter escaped Nazi persecution in his native Austria and moved to Cornwall, but his hau...

Alexandra Haeseker: The Botanist’s Daughter

Haeseker’s prints of the eco system that is often invisible to our eyes, below our feet, highlight...

<

Beyond the Brotherhood: The Pre-Raphaelite Legacy

This is an ambitious exhibition that examines the legacy of the Pre-Raphaelite Brotherhood in Britai...

Huysmans, Art Critic: From Degas to Grünewald, in the Eye of Francesco Ve...

A diverting exhibition at Musée d’Orsay explores the influential art criticism of the quintessent...

John Cornish – interview: ‘It would be unfair just to look back on my ...

The son of the artist Norman Cornish, whose work is synonymous with mining life in the County Durham...

Paul Mpagi Sepuya - interview: ‘I’m not making tricky pictures. There...

While a quest to understand the myriad undefined potentials of queer social spaces is one factor beh...

Ann Dumas – interview: ‘Every exhibition is fraught with problems and ...

One of the UK’s leading curators, Dumas talks about women in the art world, the trials and triumph...

<

Saad Qureshi: Something About Paradise

Step into a fantastical dreamworld as you explore Qureshi’s mindscape inspired by stories British ...

Bloomberg New Contemporaries 2019

From Ryan Orme’s inventive form of urban landscape painting to Eleonora Agostini’s weird depicti...

Seized By the Left Hand

In this truly hopeful, reflective group show, international artists explore alternative worlds and w...

In the Land of the Gods. Marc Chagall and the Greek World

This colourful exhibition explores the influences of the Hellenic world and its Bacchanalian myths o...



studio international logo
Copyright © 1893–2019 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA