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Published  30/11/-0001
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Alberta Whittle: Create Dangerously

In this immersive show, Barbadian-Scottish artist Alberta Whittle exposes the iniquities of racism a...

Art and Artifice: Fakes from the Collection

If there is one thing great art institutions usually try to avoid, it is fakes. The Courtauld Galler...

Martin Wong: Malicious Mischief

A survey of the Chinese American artist Martin Wong confirms him as one of the most unusual, ingenio...

George Gittoes – interview: ‘The spirit of art cannot be suppressed by...

Australian artist George Gittoes has been visiting war zones for 50 years and he and his wife travel...

Capturing the Moment: A Journey through Painting and Photography

This exhibition considers the relationship between the two media, from documentary photography of th...

The God That Failed: Louise Bourgeois, Barnett Newman, Mark Rothko

An intriguing exhibition situates Bourgeois’ characterful early sculptures alongside the two incip...

Tom Wood – interview: ‘I started doing portraits of these kids hanging...

For 50 years, Tom Wood has been out on the streets taking intimate, informal, often quirky, photogra...

Chris Ofili: The Seven Deadly Sins

In Chris Ofili’s major new series of paintings, he invites us to contemplate the subject of sin, t...

Tomás Saraceno in Collaboration: Web(s) of Life

Argentine artist-activist Tomás Saraceno wants us to fall in love with spiders. His thoughtful Serp...

Paul Smith – interview: ‘I'd often look up and ask the boss, “Mr Pic...

To mark the 50th anniversary of Picasso’s death, the Musée National Picasso, Paris, commissioned ...

Kent Chan: Future Tropics

In his first UK solo show, Kent Chan bombards us with waves of heat and sound in an intensely kinaes...

Hurvin Anderson: Salon Paintings

This show focuses on Hurvin Anderson’s barbershop paintings, a subject he has been returning to fo...

Saint Francis of Assisi

Saint Francis of Assisi, whose story began with a painting, has been depicted in more than 20,000 wo...

Ellsworth Kelly at 100

This exhilarating and comprehensive show, celebrating the centennial of Ellsworth Kelly's birth, fea...

Dominic Harris – interview: ‘I’m trying to empower the viewer to ass...

At his latest exhibition, Feeding Consciousness, at the Halcyon Gallery, British artist Dominic Harr...

Agata Słowak: Time Is Love

Identity and sexuality are explored in the young Polish artist Agata Słowak’s powerful and contro...

Gwen John: Art and Life in London and Paris

With her focus on quiet domestic interiors and sensitive portraits of women, Gwen John has long been...

The Reason for Painting

This show is billed as bringing together a group of younger artists ‘experimenting with colour, ma...

Amy Sillman – interview: ‘We’re in this sticky place between despair...

On the occasion of her latest exhibition at Thomas Dane’s Naples gallery, the ever-probing Amy Sil...

Maki Na Kamura – interview: ‘People in the presence of my work can pro...

Maki Na Kamura, the Berlin-based Japanese painter, touches on her interest in patterns of structures...

La Horde

An invigorating survey of the French art and dance collective explores how dance binds communities t...

Jaune Quick-to-See Smith: Memory Map

In the first New York retrospective of the artist’s work, covering almost five decades, she offers...

Perfect Behaviours. Life Redesigned by the Algorithm

Are we free to make our own decisions in an age in which technology is used to manipulate us? Curato...

Simone Leigh

Ceramic, bronze and video works spanning 20 years of Simone Leigh’s practice, including nine works...

The Rossettis

The Rossettis: This exhibition is both broader and narrower than its title suggests. In a nutshell, ...

Guy-Ernest Debord & Gil Joseph Wolman: L’un n’exclut pas l’autre [Th...

This exhibition is a joy, combining leaflets, flyers and other ephemera from Debord and Wolman’s p...

Kate Spencer Stewart: Diurne

Kate Stewart takes into account the contingencies of ambient light, her works iridescent, shimmering...

Kira Freije – interview: ‘There’s a fine line I always have to tread...

The E-Werk’s Turbine Hall is the perfect setting for Freije’s new figurative metal sculptures. T...

Hilma af Klint & Piet Mondrian: Forms of Life

They never met or even knew of one another’s work, yet Hilma af Klint and Piet Mondrian are united...

Emily Kraus: Nest Time

This young painter, fresh out of the Royal College of Art, has already developed her own, very disti...

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