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Published  30/11/-0001
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Andrew Hewish: ‘I’m interested in a process of drift, where things are...

Artist and C4RD director Andrew Hewish discusses how he makes objects and paintings using a broad va...

Gordon Shrigley: ‘Will Peck and I had lots of conversations about what t...

Will Peck, a recent graduate, and Gordon Shrigley, artist, (Gordon has various strings to his bow an...

Andrew Hewish: ‘To introduce drawing as a category automatically produce...

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...

Louise Cattrell: ‘I think you can use your memory to create that 360-deg...

Landscape artist Louise Cattrell shares her secrets for bringing the viewer into the landscape and e...

Marcin Maciejowski: ‘I would be happy to always paint my wife’

The Polish portrait artist reveals the stories behind some of the paintings in his latest exhibition...

Bryan Kneale: ‘I always liked the idea of being totally in charge of the...

From shrapnel from a second world war German bomb to early editions of Studio International, Royal A...

Michel François: A Frozen Eagle Melting on the Theatre of Operations

In his latest exhibition, Belgian multimedia artist Michel François presents fragmented sculptures ...

FB55

This show, while not shedding new light on Francis Bacon himself, does paint a picture of a very res...

Shirin Neshat: ‘Nothing is more powerful than human expression’

The artist talks about her latest exhibition, for which she photographed ordinary people in Azerbaij...

One-Way Ticket: Jacob Lawrence’s Migration Series and Other Works

The artist’s 60-part work,based on the Great Migration of black people from the south to the north...

Mathieu Lehanneur: ‘If you say, I’m an industrial designer, a chair ap...

Paris-based designer Mathieu Lehanneur talks about combining nature, science and technology in his c...

Gavin Turk: ‘For a long time I’d say: “I don’t think I’m growing...

For the launch of Project Beard at the Other Art Fair, artist Gavin Turk will shave off his beard in...

Martín Ramírez: Forever

Martín Ramírez, an “outsider” artist from Mexico, who spent most of his life in US mental inst...

Life of Cats: Selections from the Hiraki Ukiyo-e Collection

Cats came to Japan from China in the sixth century, aboard ships carrying Buddhist texts. An enchant...

Sarah Jane Moon: 'Painting is fundamentally the relationship between an ar...

Having trained in portrait painting at Heatherley School of Fine Art (2009-2011), Sarah Jane Moon we...

Maripol, Clare Stephenson and Zoe Williams: Spring / Summer 2015

This exhibition of work by Maripol – Polaroid artist, fashion designer and the woman who styled Ma...

CUBISM 2.0: Post-Cubism in Europe

This rare and beautiful exhibition presents 18 works by artists from France, Hungary, Russia and the...

Lee Ufan

Channelling the principles of Japan’s Mono-ha Group, Lee Ufan’s latest collection of reductive p...

Reni Gower and Jorge Benitez: ‘Nothing can be reduced to black and white...

Reni Gower and Jorge Benitez talks about their cross-cultural project Geometric Aljamía, which aime...

Jonn Herschend: ‘We can use humour seriously in art to push agendas forw...

Film-maker and experimental publisher Jonn Herschend explains why Don Quixote has been such a major ...

Lydia Gifford: ‘I’m learning how to let go. At times it feels like som...

The British artist says her work is a continually generating material mass that is more about trying...

Defining Beauty: The Body in Ancient Greek Art

The ancient Greeks are held up as the epitome of reason and measured beauty. But, as the British Mus...

NS Harsha: ‘I am like a cook. I love to make a dish, offer it to the peo...

The Indian artist NS Harsha on how his latest paintings embody the notion of ascent, an idea he says...

Frances Walker: ‘For me, art is all about being able to communicate with...

The Scottish painter Frances Walker, now in her 80s, talks about her time as an art teacher, her fas...

Penny Slinger: ‘Being different is just who you are. What you do with it...

Penny Slinger on how Tantric art changed her life, dealing with sexual identity in art, using her bo...

Making It: Sculpture in Britain 1977-1986

Studio International spoke to co-curator, Jon Wood, from the Henry Moore Institute, and Jill Constan...

Tina Keane: ‘With film, you never quite know what you’re going to get...

Multimedia artist Tina Keane talks about her early work, the influences that have developed her prac...

The Plains Indians: Artists of Earth and Sky

This exhibition of the art of the Plains Indians reminds us about the native US population’s story...

Anita Witek: ‘I am opening up a gap between image and reality’

As she was installing her first UK solo exhibition, How to work live better, Austrian artist Anita W...

Diana Thater: ‘When someone walks in, they are part of the work. They’...

US new media artist Diana Thater explains what drew her to the subject of her latest work, the monke...

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