Elisabeth Frink: The Presence of Sculpture
Focusing, for the first time, on the challenges of making work, on the one hand privately and, on th...
Noah Davis: Imitation of Wealth
The opening of this exhibition, which should have been a day of celebration, sadly became a day of m...
Liu Ye: ‘Dick Bruna is more important to me than Da Vinci’
The Beijing-based artist on how seeing Bruna’s Miffy was seeing himself in a mirror, and why the m...
Jackson Pollock: A Collection Survey, 1934-1954
The exhibition of Jackson Pollock’s works from the collection of the Museum of Modern Art opens up...
Artist Rooms: Roy Lichtenstein
As part of the Artist Rooms series, the Scottish National Gallery of Modern Art in Edinburgh is show...
Who’s Afraid of Women Photographers? 1839-1945
The first of its kind in France, this exhibition shines a light on the great accomplishments of earl...
Vagrich Bakhchanyan: Accidental Absurdity
Vagrich Bakhchanyan was a follower of the Russian avant garde and a precursor of Moscow conceptualis...
New York’s Jewish Museum courts the unconventional in a powerful group show that its curators clai...
Naufus Ramírez-Figueroa: ‘I just create works that give a sensation of ...
The artist talks about his current exhibition, God’s Reptilian Finger, and the inspiration he drew...
The winner of the Turner Prize will be announced on 7 December. If art holds up a mirror to society,...
Vanessa Baird wins Norway’s prestigious Lorck Schive Art Prize 2015
The Norwegian artist, an uncompromising but vital talent, was the deserving winner of one of Europe...
Mat Collishaw: ‘I think human beings are always drawn to the slightly il...
With two concurrent exhibitions in the north of England, Mat Collishaw talks about the human race’...
Mark Leckey: Dream English Kid 1964-1999AD
The Turner Prize-winner returns with a short film that sees him dig deeper in his exploration of Bri...
Vibha Galhotra: ‘I am a traveller, an observer of situations’
The New Delhi-based conceptual artist discusses the role of the environment in her practice, as well...
Ocean of Images: New Photography 2015
Nineteen emerging artists respond to the demands of the digital age in this annual exhibition devote...
The Body as Language: Women and Performance
This historically salient show, examining the birth and development of performance art in relation t...
Kathy Hinde: ‘I’m really interested in combining visual art and music...
The audiovisual artist and composer talks about mixing up sound and art, working with a glassblower,...
Marking the 15th anniversary of the death of one of the 20th century’s most enigmatic painters, th...
Francisco Vidal: ‘It’s an artist’s role to dream’
The artist’s colourful paintings and his relaxed persona belie the inspiration behind his work. Bu...
For the first time in the UK, the artist is exhibiting her award-winning Material for a Film. Alongs...
Alice Cunningham: ‘The quarries were my biggest inspiration’
The artist talks about her experience of learning to work with marble from Michelangelo’s preferre...
Clifford Ross: ‘I indulge in extreme photography’
He is always looking for the fullest expression of his conception and will follow it past any sane p...
Ben Johnson: the making of Patio de los Arrayanes
We visited Ben Johnson in his west London studio over a 12-month period to film him working on a lar...
Kapwani Kiwanga: ‘It is always great to be true to yourself’
Kapwani Kiwanga has been named as the commissioned artist of the Focus Section at the Armory Show 20...
Danny Fox – interview: ‘My whole approach to my work can change in a s...
Danny Fox talks about trying to give up drinking, why politicians should force us all to be vegan, g...
Cayce Zavaglia: ‘I have always wanted my work to be about the portrait a...
The artist talks about painting, embroidery, close relationships and how her studio practice develop...
Sara VanDerBeek: Electric Prisms, Concrete Forms
As the artist returns for her third solo show at The Approach in London, she continues to create thr...
Thomas Heatherwick: ‘Art is like a hovering cloud of energy and attentio...
The designer and founder of Heatherwick Studio talks about growing up with Duchamp’s Nude Descendi...
Ian Cheng: ‘I wanted to make a project that would relax me’
The artist describes his live simulation at Pilar Corrias as the visual alternative to a spa. His in...
Valera & Natasha Cherkashin: ‘There is no future without understanding o...
The Russian artist couple talk about the importance of history in their work and the beginnings and ...