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Published  30/11/-0001
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Discover Degas and Miss La La

Take one exceptional work and tease out various strands to create a small but exemplary exhibition ...

Gavin Jantjes – interview: ‘I want to be free from expectation’

Gavin Jantjes, the South African painter, printmaker and former curator talks about the pitfalls of ...

Sandra George

Sandra George’s social-documentary photography is the standout exhibition of this year’s Glasgow...

Biennale Gherdëina 9: The Parliament of Marmots

Against the breathtaking landscape of the Val Gardena in Italy’s Dolomites, under the curation of ...

Zanele Muholi

Anger, hurt, vulnerability, love, togetherness, celebration, passion … South African visual activi...

All That Glitters: A Story of Friendship, Fraud and Fine Art – book revi...

Orlando Whitfield recounts the behind-the-scenes story of his friend and one-time business partner I...

To Italy! With Liebermann in Venice, Florence and Rome

This exhibition explores uncharted territory not only by tracing Max Liebermann’s visits to Italy ...

Angelica Kauffman

Finally, 256 years after Angelica Kauffman became one of its founding members, the Royal Academy is ...

Dominique White – interview: ‘I do everything the wrong way’

Ahead of her Whitechapel Gallery commission, Dominique White, the winner of the Max Mara Art Prize f...

Judy Chicago: Revelations

After years of patriarchal prudishness and censorship, the vulva is now considered acceptable art wo...

Donald Rodney: Visceral Canker

He was a young Black artist who railed against racism and sickness, both personal and in society. Th...

Los Angeles: a round-up of the best on show

The world may define Los Angeles by Hollywood, but the culture is better represented by the art...

Paris 1874: Inventing Impressionism

This glorious show recreates much of the first impressionist exhibition in 1874 alongside works from...

Phyllida Barlow: Unscripted

Phyllida Barlow’s playful approach turned found objects into composites that shone, while nodding ...

Emma Stibbon – interview: 'We need the science, the data, but art can re...

Tackling issues of climate change and coastal erosion in both the local area and as far afield as th...

Vera Molnár: Speak to the Eye

Vera Molnár plays with geometry and form, exploring shape, line and colour, using algorithms and co...

Modigliani: Modern Gazes

This multifaceted exhibition positions the artist Amedeo Modigliani among his contemporaries, traces...

Passions of the North

The inaugural exhibition in this repurposed grain silo presents works from the Tangen Collection, de...

Expansive Change: Distortion as Dialogue in Modern & Contemporary Art

Among a flotilla of known artists, curator Santiago Rumney-Guggenheim has launched a few lesser-know...

Kimsooja: Meta-Painting

Ambiguous, talismanic, intangible, meticulous – Kimsooja’s immersive installations explore theme...

George Wyllie: I Once Went Down to the Sea Again

A new museum dedicated to George Wyllie, a truly unique figure in the recent history of Scottish art...

Matthew Krishanu: The Bough Breaks

Interweaving childhood memories and imagination with the history of painting, Matthew Krishanu creat...

Expressionists: Kandinsky, Münter and The Blue Rider

A long-overdue exhibition exploring the friendships and relationships, shared concerns and disagreem...

Yinka Shonibare CBE: Suspended States

When does an artistic trope stop being art? The incessant repetition of Yinka Shonibare’s trademar...

Marisa Merz: Listen to the Space

Refusing completion, Marisa Merz’s works bear traces of the studio, materially suggesting a state ...

Hildigunnur Birgisdóttir – interview: ‘I am inspired by the underwhel...

Recycled jute coffee bags, plastic pizza and a heap of wet wipes – for Iceland’s Pavilion at thi...

Tony Cragg - interview: ‘There are many more things that do not exist th...

In the gardens of Castle Howard, north Yorkshire, Tony Cragg talks about his different sculptural se...

Indigenous Histories

This vast and varied show celebrating the work of indigenous artists from North and South America, O...

Abdullah Al Saadi: Sites of Memory, Sites of Amnesia – Venice Biennale 2...

His practice centres on journeys exploring the region where he was raised and lives as he attempts t...

Zineb Sedira: Dreams Have No Titles

This enveloping Gesamtkunstwerk is a multifarious evocation of political resistance that does not ma...

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