London’s Statues of Women – book review

This exhaustive yet compact guide to London’s statues of women presents a motley crew, not just of...

Berlinde de Bruyckere – interview: ‘My themes are not easy. You can’...

Belgian artist Berlinde de Bruyckere talks about the issues, artists and musicians that inspire her,...

The Honest Eye: Camille Pissarro’s Impressionism

This grand tribute to Pissarro evokes the bliss of a walk in nature and is an illuminating look at t...

William Kentridge: The Pull of Gravity

The first UK institutional show dedicated to William Kentridge’s sculpture is joyfully approachabl...

Making Waves – Breaking Ground

With 11 artists and more than 100 works, the wonders of the natural world are stunningly brought to ...

Lifeblood – Edvard Munch

A thoughtfully curated exploration of the convergence of art and health in the work of Munch, a man ...

Pablo Picasso: The Code of Painting

This show draws international attention to a vibrant new art space in the Norwegian city of Trondhei...

Ro Robertson – interview: ‘The female shipbuilders of Sunderland have ...

At Sunderland’s Northern Gallery for Contemporary Art, which stands beside the River Wear, is a ne...

Niki de Saint Phalle & Jean Tinguely: Myths and Machines

She was an aristocrat sculpting voluptuous female figures, he a working-class maker of scrap metal k...

Natalia Millman – interview: ‘I want to talk about grief in an approac...

Inviting others to write a letter about their grief, and responding to each with a drawing, was the ...

Millet: Life on the Land

A fine-tuned pocket survey celebrates the influential French realist painter, who imbued scenes of r...

Ernest Edmonds – interview: ‘The technology didn’t make it easy at t...

On the occasion of Networked, his show at Gazelli Art House, London, the pioneering computer artist ...

Ten Sculptures by Tim Scott 1961-71– book review

A thorough introduction to and overview of a fascinating artist who has been far too overlooked. The...

Folkestone Triennial 2025: How Lies the Land?

Sorcha Carey’s first outing as curator of the Folkestone Triennial turns its sixth iteration into ...

Pat Steir: Song

New paintings by American artist, Pat Steir, now 87, make their debut in this exhibition in Zurich...

Lubaina Himid with Magda Stawarska: Another Chance Encounter

Drawing on correspondence between the writer Sophie Brzeska and the artist Nina Hamnett as well as H...

Mika Rottenberg – interview: ‘I’m not an angel or a political activi...

The multidisciplinary artist Mika Rottenberg talks about her first solo exhibition in Spain, at Haus...

Berlin. Cosmopolitan: The Vanished World of Felicie and Carl Bernstein

This small but insightful show puts the spotlight on a microcosm within Berlin’s art world at the ...

Emma Talbot – interview: ‘I imagine the experience of life as an epic...

Large installations, paintings on silk, fabric sculptures and drawings convey the connection between...

It Takes a Village

To mark its 40th birthday, Ditchling Museum of Art + Craft is hosting an exhibition all about reachi...

Jenny Saville: The Anatomy of Painting

Jenny Saville: This astounding show brings together the very best of an incomparable artist: absorbi...

Margaret Salmon: Assembly

From a mother bathing her children to cleaners working at the gallery, Margaret Salmon gives voice t...

Slavs and Tatars: The Contest of the Fruits

Rapping fruit, legendary birds and nail art feature in the UK debut of the Berlin-based collective S...

Liverpool Biennial 2025: Bedrock

From Sheila Hicks’s gemstone-like sculptures to Elizabeth Price’s video essay on modernist Catho...