search

Katie Paterson – interview: ‘It’s a living project, changing and sur...

Future Library is artist Katie Paterson’s prayer that trees, literature and the human imagination ...

Tanoa Sasraku: Terratypes

In her works on paper, photographs and bronzes, the young British Ghanaian artist conjures up memori...

Frank Brangwyn: The Skinners’ Hall Murals

The 2.5-metre-high murals overpower the confines of this small village museum. But it is a rare oppo...

Edvard Munch: Masterpieces from Bergen

This feels like a patchy presentation and, despite the promise of ‘masterpieces’, the selection ...

Abdulrazaq Awofeso: Out of Frame

Scavenged wooden pallets provide the material for Abdulrazaq Awofeso’s carved figurative sculpture...

A Life in Art: Lucy Wertheim - Patron, Collector, Gallerist

This exciting exhibition at the Towner is paired with another show, Reuniting the Twenties Group: Fr...

William Corwin – interview: ‘Marguerite Louppe experimented with ways ...

Married to the more well-known artist Maurice Brianchon, Louppe has long been overlooked. William Co...

AA Bronson – interview: ‘Suddenly, we were artists’

AA Bronson, the pioneering artist, publisher and member of the groundbreaking trio General Idea, tal...

Alberta Whittle: Deep Dive (Pause) Uncoiling Memory – Venice Biennale 20...

Barbadian-Scottish artist Alberta Whittle has used sculpture, film and tapestry for her Scotland in ...

Who Are You: Australian Portraiture

This inspiring show includes some of Australia’s best artists, past and present, and marks a shift...

The Queens’ Jubilee! and Let Me Hold You

Marking the 50th anniversary of the UK’s first Gay Pride March, two exhibitions come together in a...

Jacquiline Creswell – interview: ‘When I first sited art in Salisbury ...

When Jacquiline Creswell joined Salisbury Cathedral as arts curator, she was verbally and physically...

Persones Persons: Biennale Gherdëina 8

Artworks by an eclectic mix of eco-activists and radical thinkers celebrate nature in all its forms,...

52 Artists: A Feminist Milestone

How has feminism changed in the past half century? This show revisits Lucy Lippard’s historic show...

Pilvi Takala: Close Watch – Venice Biennale 2022

Close Watch, Pilvi Takala’s multi-channel video at the Finnish Pavilion, is based on her time work...

Anthony Scala and George Renshaw – interview: ‘The piece surprised bot...

When a cryptocurrency investor asked a glass artist to recreate the ethereum logo, the two men initi...

Venice Biennale 2022 Roundup

This year’s citywide jamboree features riot and revolution, gyrating bodies, battling jet planes, ...

Biennale of Sydney 2022: Rīvus

With rivers and wetlands at its thematic centre and Australia’s First People key, the 2022 biennal...

Whitstable Biennale

As artists squeeze themselves into the tiny fishing town for this year’s event, Brexit, migration ...

Feminine Power: The Divine to the Demonic

From goddesses and saints to demons, spirits and witches, from ancient to modern, this phenomenal ex...

Angela Su: Arise: Hong Kong in Venice – Venice Biennale 2022

Angela Su talks about the new age group that tried to levitate the Pentagon, a story that informed h...

Otl Aicher: Design. Type. Thinking. – book review

Aicher’s designs for the 1972 Munich Olympics changed the face of graphic design, but there was mu...

Alfredo Jaar

Now at two New York shows, Jaar continues to challenge social and political injustice. At the Whitne...

Found Cities, Lost Objects: Women in the City

Lubaina Himid curates this sprawling and powerful group show exploring cities as seen and experience...

Gaudí

Whether you consider him a madman or a genius, there is no doubt that Gaudí was responsible for a s...

Rachael Louise Bailey – interview: ‘It’s good to work with something...

From the synthetic detritus of the oyster industry washed up on the Kent coast and the organic softn...

Abbas Akhavan – interview: ‘I like the propelled intensity towards acc...

Abbas Akhavan discusses his site-specific responses, often inspired by residencies, and the processe...

Future Shock

An audiovisual exhibition that joins the dots between contemporary art, electronic music and technol...

Niamh O’Malley: Gather – Venice Biennale 2022

Niamh O’Malley says she wants her Irish Pavilion installation to be a welcoming space, for visitor...

Cornelia Parker

From the shed blown up by the British army to drone-shot footage of the Commons Chamber to a new wor...

studio international logo

Copyright © 1893–2022 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA