Published 01/07/2011
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Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...
Janet McKenzie
: My visit to Tashkeel w...
Sophia Narrett: ‘I see the sewing process as akin to drawing’
by ALLIE BISWAS
Sophia Narrett makes intricate e...
Sarah Lucas: I Scream Daddio – Venice Biennale 2015
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Sarah Lucas: I Scream Daddio – Venice Bie...
Shirazeh Houshiary: Smell of First Snow
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Shirazeh Houshiary: Smell of First Snow
By play...
Sleepless: The Bed in History and Contemporary Art
Reference
1. Organisation for Economic Co-operation and Developme...
Shannon Yee: ‘It’s one step better than walking in somebody else’s s...
Anna McNay: At what stage of your recovery did you know...
Sanya Kantarovsky: Apricot Juice
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Sanya Kantarovsky: Apricot Juice
Russian artist Sanya ...
SP-Arte: The São Paulo International Art Fair 2015
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SP-Arte: The São Paulo International Art Fai...
Shirin Neshat: ‘Nothing is more powerful than human expression’
Anna McNay: You yourself are Iranian but your mother has Azeri ...
Sarah Jane Moon: 'Painting is fundamentally the relationship between an ar...
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Sarah Jane Moon: 'Pai...
Selective Memories
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Selective Memories
Paris comes to west London as the Griffin Gallery...
Staging the Ukrainian Avant-Garde of the 1910s and 1920s
Reference
1. From the Easel to the Stage Set: The Avant-Gar...
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