Studio International

Published 01/07/2011

Stephen Chambers talking to Studio International at the opening of The Court of Redonda, Venice, 2017. Photograph: Martin Kennedy.

Stephen Chambers: The Court of Redonda – Venice Biennale 2017

224::/cck::
::introtext::

Stephen Chambers: The Court of Re...

Benny Andrews. Did the Bear Sit Under a Tree?, 1969. Oil on canvas with painted fabric collage and zipper, 127 x 156.8 x 5.7 cm. Emanuel Collection. © Estate of Benny Andrews /DACS, London IVAGA, NY 2017.

Soul of a Nation: Art in the Age of Black Power

220::/cck::
::introtext::

Soul of a Nation: Art in the Age of Black Power

Strawberry Hill House, built by the historian Horace Walpole in the 18th century. Photograph: © Christian Guckelsberger.

Serendipity Symposium 2017

191::/cck::
::introtext::

Serendipity Symposium 2017

Is serendipity entirely human –...

Pierre Hughe. After ALife Ahead, installation view, Münster, 2017. © Skulptur Projekte 2017. Photograph: Henning Rogge.

Skulptur Projekte Münster 2017

195::/cck::
::introtext::

Skulptur Projekte Münster 2017

With artificial environ...

Samson Young talks to Studio International at the opening of his show, Songs for Disaster Relief, a collateral event for Hong Kong at the Venice Biennale 2017. Photograph: Martin Kennedy.

Samson Young: Songs for Disaster Relief – Venice Biennale 2017

175::/cck::
::introtext::

Samson Young: Songs for Disaster...

Secundino Hernández. Untitled, 2017. Acrylic, rabbit skin glue, chalk, calcium carbonate and titanium white on linen, 311 x 261 x 4 cm (122 1/2 x 102 3/4 x 1 5/8 in). Courtesy the Artist and Victoria Miro, London. © Secundino Hernández.

Secundino Hernández: ‘As a painter you have to have the courage to not ...

Angeria Rigamonti di Cutò: “Academic” now seems li...

Co-curator Sam Cornish explains the thought process behind Kaleidoscope: Colour and Sequence in 1960s British Art. Photograph: Martin Kennedy.

Sam Cornish: ‘We started with this idea that all works would have to con...

124::/cck::
::introtext::

Sam Cornish: ‘W...

Saad Qureshi talking to Studio International at Gazelli Art House, London, 3 March 2017. Photograph: Martin Kennedy.

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

097::/cck::
::introtext::

Saad Qureshi: ‘You ...

Serge Attukwei Clottey at 1-54 Contemporary African Art Fair, courtesy of the artist and Gallery 1957. Photograph: Luke Walker.

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Anna McNay: You recently exhibited a solo booth with Gallery 1...

John Piper. Beach and Star Fish, Seven Sister's Cliff, Eastbourne, 1933-34. Gouache, pen and ink with collage of paper and fabric, 38.4 x 49.8 cm. Jerwood Collection. © The Piper Estate / DACS 2016. Image courtesy of Jerwood Gallery.

Sussex Modernism: Retreat and Rebellion

References
1. Charleston,
Sheida Soleimani. Maryam, 2016. Archival pigment print, 101.6 x 68.6 cm. Edition of 3 + 1 AP. © the artist.

Sheida Soleimani: ‘Does someone really want to buy an image of an execut...

Rosanna Mclaughlin: Each work in this show is named aft...

Wendy Elia. Maxime, 2010. Oil on canvas, 166 x 91 cm. Courtesy East Contemporary Art Collection, University of Sussex. Photograph: Mac Campeanu

Strange Worlds: Visions of Angela Carter

References
1. The Invention of Angela Carter: A Biography by Edmund Gordon,...