Gillian Wearing: Wearing Masks
This thoughtful and comprehensive retrospective spans more than 30 years of Gillian Wearing’s work...
This exhibition of rare NFTs is a chance to see some of the digital art traded using blockchain tech...
With her playful but disturbing critique of exploitative working practices, Danielle Dean takes the ...
Ai Weiwei: The Liberty of Doubt
This exhibition may be small, but it still packs a powerful punch as Ai Weiwei mixes up his work and...
Vlatka Horvat – interview: ‘I’m interested in trying to get beyond t...
During the lockdown last year, Vlatka Horvat decided to go on daily walks around her east London nei...
John Yau – interview: ‘America is still about two colours: black and w...
John Yau talks about promoting inclusivity, changing how history is viewed, and the importance of th...
Every Ocean Hughes: One Big Bag
A young death doula sets out the tools of her ‘mobile corpse kit’, as she explains how she looks...
Joan Semmel – interview: ‘I was simply not excluding those who did not...
With a retrospective at the Pennsylvania Academy of the Fine Arts covering 60 years of work, from he...
Vincent van Gogh’s green-blue eyes stare into ours as we look with him and at him in this intense ...
Body Vessel Clay: Black Women, Ceramics and Contemporary Art
Through three generations, this show explores the importance of black female artists in shaping cera...
Chechu Álava – interview: ‘We painters are like relay runners who pas...
Chechu Álava explains how her passion for art history and her interest in gender issues blend toget...
Cauleen Smith – interview: ‘I don’t know if optimism is needed so mu...
The artist on what it was like to have her lockdown Instagram posts on Covid shown on the vast scree...
In her first institutional solo show in London, Katz creates a fascinating world of surrealism and i...
What would a monument to Britain in 2022 look like? A motley crew of artists provide some surprising...
The raw power of the works in this show, in which we see Francis Bacon’s fascination with animals ...
British Art Show 9, this five-yearly show, is an ambitious undertaking, and a lack of coherence betw...
The fascinating Italian modernist Fausto Melotti discovers his humanity through theatre...
Gainsborough’s Blue Boy, an icon of British art, returns to London exactly a century after its muc...
Flesh Arranges Itself Differently
Drawing from two remarkable collections of contemporary art and medical and scientific discovery, th...
Donna Huddleston – video interview: ‘I was thinking of all the works b...
Donna Huddleston talks about her beguiling new works on paper, for which she draws on her background...
Julie Mehretu: Cities in the maelstrom – an essay
Julie Mehretu is known for her vast abstract paintings referencing everything from capitalism and gl...
Cork Street Attack, Grey Organisation
An unusual exhibition at the Mayor Gallery historicises the precisely choreographed assault on its p...
Lakwena Maciver– interview: ‘I like to think my work will bring hope t...
The London-based artist discusses painting colourful works to counteract life’s grey realities, he...
The Amsterdam-based duo combine art and technology in installations that work with light and movemen...
Julien Creuzet: Too blue, too deep, too dark we sank …
Sculpture, film and music blend in the French-Caribbean artist’s striking exploration of the legac...
This show, which spans the six decades of Baselitz’s career, highlights key periods in his output ...
Galleries in the Groove: Three Visionary Dealers, 1960s-80s
Through archival ephemera, photographs, posters and letters, this show documents the history of thre...
Katya Kvasova – interview: ‘People say that whatever someone paints or...
Katya Kvasova talks about her interest in hands, her artistic training, and her method of layering g...
This exhibition brings together documentary and artistic material exploring the history of ideas of ...
Shahzia Sikander – interview: ‘I usually create a painting as a poem’
Shahzia Sikander talks about the problems surrounding the telling of any history, and how collaborat...