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The Spirit of Tariki Visits New York

Fibre is any material that helps to form a connection. It has wide applications in science and indus...

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From Timbuktu to Shangri-La

Now that the Alexander McQueen...

John Martin: Apocalypse

John Martin: Apocalypse, at Tate Britain is the largest display of his work in public since 1822. In...

A Futuristic Architectural Movement from the Past Speaks to the Present

At a critical moment in urban architectural history, the Mori Art Museum in Tokyo considers the dist...

Post Office or Postmodern? Postmodernism: Style and Subversion, 1970-1990

'The design for the extension to the National Gallery, London, when finally won in competition by Ro...

From Neon to New Order. Postmodernism: Style and Subversion, 1970-1990

'Some of the best postmodernists are modernists on a holiday from orthodoxy' claimed Charles Jencks,...

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Marius Bercea

Since the Prague Biennial in 2007, when the term ...

Barry Flanagan: Early Works 1965

Sculptor Barry Flanagan (1941...

Rothko in Britain

One would not expect an Abstract Expressionist artist to uphold this sentiment;...

Kitaj: Portraits and Reflections

Kitaj: Portraits and Reflections is the first major solo exhibition in the UK of the American artist...

The 43 Uses of Drawing

Rugby Art Gallery and Museum...

Fantastical notions and their strange connections

At first glance the works of Paul Etienne Lincoln might be late 18th-century diagrams of eccentric i...

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Michelangelo Pistoletto: The Mirror of Judgment

Michelangelo Pistoletto was a key figure in the development of conceptual art and a founder of the i...

Radical Bloomsbury: The Art Of Duncan Grant and Vanessa Bell, 1905

Radical Bloomsbury at the Brighton Museum and Art gallery seeks to re-evaluate the work of Duncan Gr...

Arctic dreams and climate change. High Arctic: Matt Clark (UVA) and Cape F...

While the Arctic affords us an intense phenomenological experience, the eroded condition of its glac...

Jake or Dinos Chapman

Although the works on display have all been produced within the past year, allegedly in secrecy from...

Eyewitness: Hungarian Photography in the 20th century

Brassaï, Capa, Kertész, Moholy-Nagy, Munkácsi
The Sackler Wing of Galleries, Royal Academy o...

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Frida Kahlo & Diego Rivera

In the introductory notes to the exhibition Frida Kahlo & Diego Rivera: From the Gelman Collection, ...

The Omnipotent Magician: Lancelot

The cultural significance of Lancelot Brown, the Northumberland-born 18th-century landscape designer...

Homage to Michael Spens. The Royal Academy Summer Exhibition, 2011

The Royal Academy Summer Exhibition is, and always has been, a major event, a showcase of recent wor...

Peter Zumthor

When is a Pavilion not a Pavilion? Can it not be a seasonal construction? What does it contain? Pete...

Royal Academy of Arts Summer Exhibition 2011: Architecture Room

The Architecture Room is a longstanding and traditional part of the Summer Show and is open for exhi...

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Studies in Form. Roberto Capucci: Art into Fashion

For those who did not have an opportunity to view the spring/summer 2011 retrospective of Italian fa...

On Top of Two Empires – Xu Longsen

Xu Longsen: On Top of Two Empires, opened at the Museum of Roman Civilization in Rome on the summer ...

Georg Baselitz: Between Eagles and Pioneers

In 1963, the conservative German newspaper, Die Welt, was one amongst several to vehemently object t...

Alvar Aalto Library In Vyborg: Saving A Modern Masterpiece

The finale to the long-running course of action to save this historic modernist masterpiece did not ...



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