Published 01/07/2011
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Maripol, Clare Stephenson and Zoe Williams: Spring / Summer 2015
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Maripol, Clare Stephenson and Zo...
Making It: Sculpture in Britain 1977-1986
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Making It: Sculpture in Britain 1977-1986
In ...
Marvin Gaye Chetwynd: 'But is it art? I don’t even care'
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Marvin Gaye Chetwynd: ‘But is it art...
Marisa Williamson: ‘I want to make history alive in people’s worlds’
A Will Brown:
Over the past few ye...
Marc Chagall: A Retrospective (1908-1985)
Reference
1. Chagall: A Biography by Jackie Wullschlager, published by Kno...
Moonstrips: Eduardo Paolozzi and the printed collage 1965-72
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Moonstrips: Eduardo Paolozzi and the...
Marlene Dumas: The Image as Burden
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Marlene Dumas: The Image as Burden
Challenging and p...
Motoi Yamamoto: Return to the Origin
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Motoi Yamamoto: Return to the Origin
In Japan, sal...
Morehshin Allahyari: ‘Suddenly, I had the opportunity of making art with...
A Will Brown: What new projects are you working on?
Mira Schendel: Monotypes
. While the monotypes may resemblecave paintings, signatures or braille dots, they always resembl...
Maggi Hambling: ‘Some paintings you’ve just got to cut up. There’s e...
Anna McNay: Your paintings of the sea began in 2002 aft...
Marie Jacotey – Dolly
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Marie Jacotey – Dolly
One of this year’s Bloomberg New Cont...
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