Published 01/07/2011
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Jean-Michel Othoniel: The Narcissus Theorem
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Jean-Michel Othoniel: The Narcissus Theorem
Jordan Casteel: There Is a Season
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Jordan Casteel: There Is a Season
To enter this show ...
Jacqueline de Jong – interview: ‘I never compromise, no way. I could n...
Veronica Simpson: Looking at the six decades of work sh...
Jasper Johns: Mind/Mirror
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Jasper Johns: Mind/Mirror
Last of the last, with Baldessari g...
Jennifer Wen Ma: ‘With the pandemic and the turbulent political situatio...
Lilly Wei: How did An Inward Sea come about? <...
Joan Eardley: Centenary
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Joan Eardley: Centenary
To mark the centenary of her birth, the...
James Barnor: Accra/London – A Retrospective
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James Barnor: Accra/London – A Retrospective
Jakob Kudsk Steensen – interview: ‘There’s so much that we forget in...
Joe Lloyd: How did Berl-Berl come about? ...
Jean David Nkot – interview: ‘I want to show that even if every day is...
Anna McNay: Tell me a little about the series of works ...
Jean Dubuffet: Brutal Beauty
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Jean Dubuffet: Brutal Beauty
Dubuffet’s curiosity and pl...
Julian Opie – interview: ‘The work is about how we interpret and read ...
Emily Spicer: Has lockdown changed the way you work, or...
Jadé Fadojutimi – interview: ‘I bathe in the conversations between co...
David Trigg: What first drew you to painting?<...
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