Published 01/07/2011
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One Collector's Delightful Passion
References
1. Quoted in the 96-page, paperback exhibition catalogue, Buriki: ...
Beyond Bloomsbury: Designs of the Omega Workshops, 1913–19
References
1. Deborah Swallow, “Director’s Fore...
Luis Barragan: Il Poeta Del Silenzio
3. The Gilardi House, Mexico City
"It was a place that und...
Classified: Contemporary Art at Tate Britain
eveal unexpected juxtapositions of ‘natural’ and ‘cultural’, as discarded ciga...
The Beijing National Aquatics Centre
Reference
1. Quote from the Jury report of the Official Awards in the 9th Inter...
The Beijing National Stadium - Beijing Olympic Architecture in Retrospect I
Reference
1. Michael Kwok, “The Nation...
Gormley's Plinth: One and Other
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::introtext::
Gormley's Plinth
One & Other
Trafalg...
Roni Horn aka Roni Horn
References
1. Vatnasafn/Library of Water (2007) was Artangel’s first internationa...
Futurism at Tate Modern (Futurismo ma no Futurisme)
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::introtext::
Futurism at Tate Modern
(Futurismo m...
Artists in the Bush: Land Issues in the Art of GW Bot, Wendy Stavrianos an...
References
1. Marcus Clarke, For the...
Colour Chart: Reinventing Colour, 1950 to Today
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Colour Chart: Reinventing Colour, 1950 to Today
Garden & Cosmos: The Royal Paintings of Jodphur
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Jodphur Art and Politics
Garden & C...
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