Studio International

Published 01/07/2011

Michael Joo. DRWN (Carunculatus) Al 1, 2015. Aluminium impregnated urethane, dimensions variable. Courtesy the artist and Blain Southern. Photograph: Peter Mallet.

Michael Joo: ‘I was taken by the fact that there was a space that was in...

Janet McKenzie: You have been making large paintings an...

Mariko Mori. Photograph: David Sims. Courtesy Faou Foundation.

Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...

Anna McNay: You founded the not-for-profit organisation...

Marie Yates. Field Working Paper 9. – 18th June 1972 – Hillson's Ho, Harford Moor, Dartmoor, 1972. Copyright the artist. Courtesy Richard Saltoun Gallery.

Marie Yates: ‘In my view, everything is textual, and a text is visual’

s approached as a process of the social and discursive f...

László Moholy-Nagy. Construction AL6 (Konstruktion AL6), 1933-34. Oil and incised lines on aluminium, 60 x 50 cm. IVAM, lnstitut Valencia d'Art Modern, Generalitat. © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York.

Moholy-Nagy: Future Present

References

1. Elemental Marks. In: Moholy-Nagy: Future Present by Matthew S Witkovsky ...

Manolo Valdes. © Enrique Palacio, courtesy Marlborough Fine Art, London.

Manolo Valdés: ‘I only like apples if they look like Cezanne’s apples...

Anna McNay: Your exhibition here at Marlborough Fine Ar...

Maria Lassnig in her studio in New York, 1972. © Maria Lassnig Foundation.

Maria Lassnig

which, as early as 1930, contemplates the relationship of the body to technology and of natural organs to artificial ...

Martine Syms. Photograph: Christopher Horne.

Martine Syms: ‘I am interested in the idea of the gulf between your live...

Anna McNay: Your exhibition here at the ICA, Fact &...

Dark side of the rings. This spectacular view looks down on Saturn’s northern regions, with its pole still in the darkness of the northern hemisphere winter. The rings cast a band of shadow across the gas giant world. Mosaic composite photograph. Cassini, 20 January 2007. NASA/JPL/Michael Benson, Kinetikon Pictures. Courtesy of Flowers Gallery.

Michael Benson: ‘Science is about trying to increase that zone of what w...

Emily Spicer: When did your interest in space begin?
Mark Fell outside The Link Pub, Park Hill estate, Art Sheffield 2016. Photograph: Martin Kennedy.

Mark Fell: interview, Art Sheffield 2016

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Mark Fell: interview, Art Sheffield 2016

Mark ...

Martin Clark, curator, Art Sheffield 2016, talking to Studio International. Photograph: Martin Kennedy.

Martin Clark: interview, Art Sheffield 2016

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Martin Clark: interview, Art Sheffield 2016

Michael Dean. Sic Glyphs. Installation view at the South London Gallery, 2016. Courtesy the artist, Herald St, London, Mendes Wood DM, Sao Paulo, Supportico Lopez, Berlin. Photograph: Andy Keate.

Michael Dean: Sic Glyphs

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Michael Dean: Sic Glyphs

Despite the urban construction materi...

Mark Wallinger. Photograph: Grazyna Dobrzanska-Redrup. © Mark Wallinger. Courtesy the artist and Hauser & Wirth.

Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...

Anna McNay: How relevant do you feel F...