Studio International

Published 01/07/2011

Ansel Adams. Mount Robson, Jasper National Park, Canada, 1928. Gelatin silver print. Collection of Margaret Weston, Weston Gallery, Inc. Copyright © 2001 by the Trustees of The Ansel Adams Publishing Rights Trust. All rights reserved

Ansel Adams at 100

46::/cck::
::introtext::

Ansel Adams at 100

Ansel Adams’ images are as fundamental to the na...

studio international

A pelican in the wilderness – book review

616::/cck::
::introtext::

A pelican in the wilderness: hermits, solitaries and ...

Martin Johnson Heade (1819-1904). Approaching Thunderstorm, 1859, oil on canvas. The Metropolitan Museum of Art, gift of Erving Wolf Foundation and Mr and Mrs Erving Wolf, 1975. ©1992 The Metropolitan Museum of Modern Art.

American Sublime: Landscape Painting in the United States 1820-1880

663::/cck::
::introtext::

American Sublime: Landscape P...

studio international

Arne Jacobsen Centenary

642::/cck::
::introtext::

Arne Jacobsen Centenary

February sees the end of the celebratio...

Andy Warhol. Shot Blue Marilyn 1964. Silkscreen ink & synthetic polymer paint on canvas. 101.6 x 101.6 cm. Courtesy the Brant Foundation, Greenwich, CT. © The Andy Warhol Foundation for the Visual Arts, Inc. DACS, London / ARS, New York.

Andy Warhol: A retrospective at Tate Modern

738::/cck::
::introtext::

Andy Warhol: A retrospective at Tate Modern

...

studio international

Anthony d'Offay

790::/cck::
::introtext::

The enigma of departure – d'Offay's mythic flight

Anthony d’Offayâ€...

Background: Alighiero Boetti, Columns, 1968. Foreground: Contest between harmony and invention 1969. Front: Untitled 1967. Back: Little Coloured Sticks 1968.

Arte Povera at Tate Modern

66::/cck::
::introtext::

Arte Povera

Arte Povera Tate Modern,
through 19 August 2...

studio international

Apocalypse: Beauty and Horror in Contemporary Art

68::/cck::
::introtext::

Apocalypse: Beauty and Horror in Contemporary Ar...

Mario Merz. An interview by Caroline Tisdall. Studio International, January/February 1976, page 11.

ARCHIVE: Mario Merz interview

Caroline Tisdall: You say you are sick of being identified with Fibonacci and his number sequence, bu...

studio international

Adolf Loos: the new vision

His prose was not of a kind we associate with architects nowadays; they write as if they were ‘importa...

Andy Warhol. Still from Lonesome Cowboys

Andy Warhol as a film-maker

739::/cck::
::introtext::

Andy Warhol as a film-maker

A discussion between Paul Morri...

An interview with Marcel Duchamp by Dore Ashton. First published in Studio International, Vol 171, No 878, June 1966, page 244. © Studio International Foundation.

An interview with Marcel Duchamp

233::/cck::
::introtext::

An interview with Marcel Duchamp

’[Marcel Duchamp:] ...