Studio International

Published 01/07/2011

Superflex: Rasmus Nielsen, Jakob Fenger, Bjørnstjerne Christiansen. Photograph: Nikolai Howalt.

Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...

Nicola Homer: How and why did you form the art collecti...

Simon Fujiwara. White Gift, 2016. Tokyo Opera City Art Gallery.

Simon Fujiwara: White Day

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Simon Fujiwara: White Day

A Harvey Nichols paper bag, a singl...

Shigeo Anzai, Daniel Buren, The 10th Tokyo Biennale '70 - Between Man and Matter, Tokyo Metropolitan Art Museum. May, 1970. Baryta-coated silver print. Courtesy the artist and White Rainbow, London.

Shigeo Anzaï: Index I

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Shigeo Anzaï: Index I

This solo show explores the archives of p...

Sara VanDerBeek. Concrete Forms, 2015. Three digital C-prints, 50.8 x 38.7 cm (20 x 15 1/4 in). Edition 1 of 3 + 2 AP.

Sara VanDerBeek: Electric Prisms, Concrete Forms

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Sara VanDerBeek: Electric Prisms, Concrete Forms...

Peter Lanyon. Calm Air, 1961. Oil on canvas, 60 x 48 in. Private collection.

Soaring Flight: Peter Lanyon’s Gliding Paintings

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Soaring Flight: Peter Lanyon’s Gliding Paint...

Sculpture in the City 2015, London. Photograph: William Kennedy.

Sculpture in the City 2015

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Sculpture in the City 2015

Now in its fifth year, the public...

Stella Ioannou, co-director, Sculpture in the City, London, September 2015. Photograph: Martin Kennedy.

Stella Ioannou: interview

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Stella Ioannou: interview

Now in its fifth year, the public a...

Shona Illingworth. Lesions in the Landscape, 2015. Installation view, FACT. Photograph: Jon Barraclough.

Shona Illingworth: ‘Art practice is deeply important in a changing world...

Nicola Homer: You trained as an artist at Goldsmiths Co...

Shani Rhys James at Connaught Brown gallery, London, September 2015. Photograph: Martin Kennedy.

Shani Rhys James: ‘I love the luxuriousness of a flower’s abstract sha...

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Shani Rhys James: ‘...

Roger Vivier (1907–98) for Christian Dior (1905–1957). Evening shoe, beaded silk and leather, France, 1958-60. © Victoria and Albert Museum, London.

Shoes: Pleasure and Pain

Reference
1. Power/Knowledge: Selected Interviews and Other Writings 1972-77 by Michel Fouc...

Susan Cianciolo: if God COMes to visit You, HOW will you know? (the great tetrahedral kite). Installation view (1) at Bridget Donahue, New York. Photograph: Marc Brems Tatti.

Susan Cianciolo: ‘Everything I make is so sacred and it’s all about th...

Allie Biswas: Your exhibition with Bridget Donahue is t...

Interview with Emma Gifford-Mead at the Sergio Camargo exhibition, Mármore, at Lisson Gallery, London, 22 May – 4 July 2015.

Sergio Camargo: Mármore

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Sergio Camargo: Mármore

Sergio Camargo (1930-90) was a promin...