Published 01/07/2011
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Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...
Nicola Homer: How and why did you form the art collecti...
Simon Fujiwara: White Day
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Simon Fujiwara: White Day
A Harvey Nichols paper bag, a singl...
Shigeo Anzaï: Index I
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Shigeo Anzaï: Index I
This solo show explores the archives of p...
Sara VanDerBeek: Electric Prisms, Concrete Forms
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Sara VanDerBeek: Electric Prisms, Concrete Forms...
Soaring Flight: Peter Lanyon’s Gliding Paintings
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Soaring Flight: Peter Lanyon’s Gliding Paint...
Sculpture in the City 2015
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Sculpture in the City 2015
Now in its fifth year, the public...
Stella Ioannou: interview
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Stella Ioannou: interview
Now in its fifth year, the public a...
Shona Illingworth: ‘Art practice is deeply important in a changing world...
Nicola Homer: You trained as an artist at Goldsmiths Co...
Shani Rhys James: ‘I love the luxuriousness of a flower’s abstract sha...
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Shani Rhys James: ‘...
Shoes: Pleasure and Pain
Reference
1. Power/Knowledge: Selected Interviews and Other Writings 1972-77 by Michel Fouc...
Susan Cianciolo: ‘Everything I make is so sacred and it’s all about th...
Allie Biswas: Your exhibition with Bridget Donahue is t...
Sergio Camargo: Mármore
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Sergio Camargo: Mármore
Sergio Camargo (1930-90) was a promin...
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