Studio International

Published 01/07/2011

Agathe Sorel in her south London studio, 15 October 2015. © Studio International.

Agathe Sorel: studio tour

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Agathe Sorel: studio tour

Agathe Sorel talks to Studio Intern...

Age of Wonderland by Baltan Laboratories & Hivos. Photograph: Sas Schilten.

Age of Wonderland

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Age of Wonderland

One of the highlights of this year’s Dutch Design...

Anselm Kiefer. Nothung, 1973 (detail). Photograph: © Studio International.

Anselm Kiefer

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Anselm Kiefer

Anselm Kiefer, who was born in Germany in 1945, studied law...

Aleah Chapin at her exhibition Maiden, Mother, Child and Crone, Flowers Gallery, London, 10 October 2014. Photograph: Martin Kennedy. © Studio International

Aleah Chapin: interview

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Aleah Chapin: interview

American artist Aleah Chapin has had hu...

Anne Graham in her studio.

Anne Graham interview: ‘The ability to see things as if for the first ti...

f it at present?

AG: ...

Arnulf Rainer. Black Streaks, 1974. © the artist. Courtesy Albertina Museum, Vienna.

Arnulf Rainer: Retrospective

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Arnulf Rainer: Retrospective

In a thrilling career-spannin...

Agathe Sorel with Fly Wheel, 1985. Space engraving and welded steel, 990 x 87 x 113 mm. Courtesy of the artist.

Agathe Sorel interview: ‘I never have an idea in advance, even now. Expe...

Anna McNay: Did you always want to be an artist?
Alex Hartley, Vigil, The Grand Burstin Hotel, Folkestone Triennial 2014.

Alex Hartley: interview

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Alex Hartley: interview

Fresh from his incredible journey with ...

Alastair Upton, chief executive of The Creative Foundation, Folkestone.

Alastair Upton: interview

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Alastair Upton: interview

Alastair Upton is chief executive o...

O for OBSOLETE KNOWLEDGE. Phrenological heads, late 19th, early 20th century © Science Museum/Wellcome Library.

An Idiosyncratic A to Z of the Human Condition

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An Idiosyncratic A to Z of the Human Condition

Anita Taylor speaking to Studio International at the Jerwood Gallery, Hastings, 17 July 2014. Photo: Martin Kennedy.

Anita Taylor: interview

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Anita Taylor: interview

Anita Taylor, dean of Bath School of Ar...

Joseph Beuys. Wirtschaftswerte (Economic Values), 1980. Iron shelves with basic food and tools from East Germany; plaster block with pencil and fat; paintings from the collection of the host museum. Shelves: 290 × 400 × 265 cm; Plaster block: 98.5 × 55.5 × 77.5 cm. Collection of S.M.A.K. Stedelijk Museum voor Actuele Kunst, Ghent, Belgium. Installation view, MANIFESTA 10, Winter Palace, State Hermitage Museum.

Art and politics/art or politics: the political quandary of Manifesta 10

References
1. change.org/petitions/hedwig-f...