Studio International

Published 01/07/2011

Studio International, January 1969, Volume 177 Number 907.

Studio International – January 1969

Contents

Studio International, Vol 177, No 907, January 1969

On art and technology

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On art and technology

One nice thing about technology is that it ...

Studio International, December 1968, Volume 176 Number 906. Cover image: Cover: detail from a screenprinted video-disque, one of an interchangeable suite by Peter Sedgley. Sedgley's video-rotors and video-disques were recently shown at the Redfern Gallery, and the exhibition was described in our November issue.

Studio International – December 1968

Contents

studio international

Richard Lindner and the human being as a toy

f his paintings but their form as well. He places the hoopgirl in NO, who sits ...

Studio International, Vol 176, No 905, November 1968.

Cybernetic Serendipity—Getting Rid of Preconceptions

f a bottle of ink, has greater possibilities of improving a picture than the...

Studio International, November 1968, Volume 176 Number 905. Cover image: Cover specially designed for this issue by Peter Schmidt whose work is discussed and illustrated on pages 190 and 191.

Studio International – November 1968

Contents

Studio International, Volume 176, Number 904, October 1968.

Cybernetic Serendipity: Correspondence

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'Cybernetic Serendipity'

'Cybernetics includes a...

Studio International, October 1968, Volume 176 Number 904. Cover image: Detail of John Heartfield's War and corpses - the last hope of the rich (27 April. 1932) which is reproduced in its entirety on page 134.

Studio International – October 1968

Contents

Studio International, September 1968, Volume 176 Number 903. Cover image: Cover design: Josef Albers, White Line Square XIII. Three-colour hand printed lithograph, 15 5/8 x 15 5/8 in. © 1966, Gemini G.E.L.

Studio International – September 1968

Contents

Studio International, July-August 1968, Volume 176 Number 902. Cover image: Cover design: Henri Matisse (1869-1954). Seated blue nude, No. 3, 1952. Gouache on cut-and-pasted paper, 45¾ x 32 in. Private collection. Paris.

Studio International – July-August 1968

Contents

Studio International, June 1968, Volume 175 Number 901. Cover image: The cover, specially designed for this issue by Bridget Riley, is a preliminary study for Chant Ill, a work described in David Thompson's article.

Studio International – June 1968

Contents

Cybernetic Serendipity, 1968, page 17. Poster for The Schillinger System of Musical Composition (1946). New York Skyline was composed as a piano piece by Heitor Villa-Lobos. The System was also used by many other composers, notably by George Gershwin in writing Porgy and Bess.

The Computer and Music: Coordinate Expansion

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The Computer and Music: Coordinate Expansion

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