Studio International

Published 01/07/2011

Nicolai Aluf. Sophie Taeuber with her Dada head, 1920. Gelatin silver print on card, 12.9 x 9.8 cm. Stiftung Arp e.V., Berlin.

Sophie Taeuber-Arp

468::/cck::
::introtext::

Sophie Taeuber-Arp

The passion and excitement of this multidisciplin...

Sutapa Biswas. Housewives with Steak-knives, 1984-85. Oil, acrylic, pastel, pencil, white tape, collage on paper mounted onto stretched canvas, 2450 x 2220mm. © Sutapa Biswas. All rights reserved, DACS/Artimage 2020. Photo: Andy Keate

Sutapa Biswas – interview: ‘I felt questioning established systems of ...

Anna McNay: You started out primarily as a painter. Is ...

Shara Hughes in her studio, 2018. Photo courtesy the artist.

Shara Hughes – interview: ‘I wanted the works to feel like figures you...

Emily Spicer: Who inspires your work? Are there any art...

Sam McKinniss, Lil Nas X with Friends and Cops, 2021. Oil on linen, 183 x 124.5 / 72 x 49 in. © Sam McKinniss. Courtesy of the Artist and Almine Rech. Photo: Dan Bradica.

Sam McKinniss: Country Western

383::/cck::
::introtext::

Sam McKinniss: Country Western

A suite of works by the N...

Shneel Malik.

Shneel Malik – interview: ‘I’m a crazy optimist. I know that the rig...

Veronica Simpson: What was your journe...

Sadie Morgan. Photo: Jim Stephenson.

Sadie Morgan – interview: ‘When you’re part of a community, architec...

Veronica Simpson: You have said that when the three fou...

Sara Barker talking to Studio International via Zoom, January 2020.

Sara Barker – interview: ‘I tackle sculpture from the position of pain...

294::/cck::
::introtext::

Sara Barker – inter...

Sarah Wood, Renaissance. Still from Here is Elsewhere, 2020. © Sarah Wood.

Sarah Wood – interview: ‘At the moment we all want to gather around st...

Emily Spicer: How did you first arrive at the idea for ...

Shaping the World: Sculpture from Pre-History to Now, by Antony Gormley and Martin Gayford. Published by Thames & Hudson; Antony Gormley, Another Place, 1997. Permanent installation, Crosby Beach, Merseyside, England. A Sefton Metropolitan Borough Council Commission. Photo: Stephen White. © the artist.

Shaping the World: Sculpture from Prehistory to Now – book review

285::/cck::
::introtext::

Shaping the World: Sculpture ...

Susie MacMurray.

Susie MacMurray – interview: ‘A feather is never just a feather, and a...

Anna McNay: Before we entered the second lockdown, you ...

Tracey Emin, It was just a kiss, 2010 (photography of original 2010 work). Neon lights, 57.7 × 97.3 cm. Private collection. © Tracey Emin. All rights reserved, DACS/Artimage 2020. Image courtesy the artist.

Sin

283::/cck::
::introtext::

Sin

A compact, but rich exhibition at the National Gallery finds moral transgressio...

Stuart Whipps, If Wishes Were Thrushes, Beggars Would Eat Birds, 2020, Dundee Contemporary Arts. Photo: Ruth Clark.

Stuart Whipps: If Wishes Were Thrushes, Beggars Would Eat Birds

242::/cck::
::introtext::

Stuart Whipps: If Wishes Were Thr...