Published 01/07/2011
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William Klein: Yes – book review
mmediately indicates the scope of Klein’s work artistically and geographically. From fashion p...
Liz Magor: The Rise and the Fall
nd containers – are entropic to the core, and yet as persistent as capitalism.
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Duke Riley – interview: ‘As an artist, you’re trying to push boundar...
Marie Pohl: You depict CEOs of large corporations on ma...
1905: Fritz Bleyl and the Beginning of the Brücke
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1905: Fritz Bleyl and the Beginning of the Br...
Bridget Riley Drawings: From the Artist’s Studio
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Bridget Riley Drawings: From the Artist’s St...
David Hockney: Bigger & Closer (Not Smaller & Further Away)
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David Hockney: Bigger & Closer (N...
Adelaide Cioni – interview: ‘My work is about the origins of drawing a...
Anna McNay: Tell me about your choice of exhibition tit...
Nalini Malani: My Reality Is Different
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Nalini Malani: My Reality Is Different
This spec...
Ravelle Pillay: Idyll
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Ravelle Pillay: Idyll
Pillay’s paintings have a washy tranquill...
Péju Alatise – interview: ‘My relationship with Nigeria is like a bat...
Juliet Rix: How would you describe yourself and your wo...
Leanne McDonagh – interview: ‘My work has always been about who I am a...
Janet McKenzie: Your position as a college-educated art...
Marc Camille Chaimowicz: Nuit Américaine
mptied for transit to Brussels. One vase contains a cutout photo of leaves, because the l...
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